A Hidden Life and Other Poems — Background and Themes
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adition said they had been tilled by men Who bore the name long centuries ago, And married wives, and reared a stalwart race, And died, and went where all had followed them, Save one old man, his daughter, and the youth Who ploughs in pride, nor ever doubts his toil; And death is far from him this sunny morn. Why should we think of death when life is high? The earth laughs all the day, and sleeps all night. Earth, give us food, and, after that, a grave; For both are good, each better in its time.
The youth knew little; but he read old tales Of Scotland's warriors, till his blood ran swift As charging knights upon their death career. And then he chanted old tunes, till the blood Was charmed back into its fountain-well, And tears arose instead. And Robert's songs, Which ever flow in noises like his name, Rose from him in the fields beside the kine, And met the sky-lark's rain from out the clouds. As yet he sang only as sing the birds, From gladness simply, or, he knew not why. The earth was fair--he knew not it was fair; And he so glad--he knew not he was glad: He walked as in a twilight of the sense, Which this one day shall turn to tender light.
For, ere the sun had cleared the feathery tops Of the fir-thicket on the eastward hill, His horses leaned and laboured. His great hands Held both the reins and plough-stilts: he was proud; Proud with a ploughman's pride; nobler, may be, Than statesman's, ay, or poet's pride sometimes, For little praise would come that he ploughed well, And yet he did it well; proud of his work, And not of what would follow. With sure eye, He saw the horses keep the arrow-track; He saw the swift share cut the measured sod; He saw the furrow folding to the right, Ready with nimble foot to aid at need. And there the slain sod lay, patient for grain, Turning its secrets upward to the sun, And hiding in a grave green sun-born grass, And daisies clipped in carmine: all must die, That others live, and they arise again.
Then when the sun had clomb to his decline, And seemed to rest, before his slow descent, Upon the keystone of his airy bridge, They rested likewise, half-tired man and horse, And homeward went for food and courage new; Whereby refreshed, they turned again to toil, And lived in labour all the afternoon. Till, in the gloaming, once again the plough Lay like a stranded bark upon the lea; And home with hanging neck the horses went, Walking beside their master, force by will. Then through the deepening shades a vision came.
It was a lady mounted on a horse, A slender girl upon a mighty steed, That bore her with the pride horses must feel When they submit to women. Home she went, Alone, or else the groom lagged far behind. But, as she passed, some faithless belt gave way; The saddle slipped, the horse stopped, and the girl Stood on her feet, still holding fast the reins.
Three paces bore him bounding to her side; Her radiant beauty almost fixed him there; But with main force, as one that gripes with fear, He threw the fascination off, and saw The work before him. Soon his hand and knife Replaced the saddle firmer than before Upon the gentle horse; and then he turned To mount the maiden. But bewilderment A moment lasted; for he knew not how, With stirrup-hand and steady arm, to throne, Elastic, on her steed, the ascending maid: A moment only; for while yet she thanked, Nor yet had time to teach her further will, Around her waist he put his brawny hands, That almost zoned her round; and like a child Lifting her high, he set her on the horse; Whence like a risen moon she smiled on him, Nor turned away, although a radiant blush Shone in her cheek, and shadowed in her eyes. But he was never sure if from her heart Or from the rosy sunset came the flush. Again she thanked him, while again he stood Bewildered in her beauty. Not a word Answered her words that flowed, folded in tones Round which dissolving lambent music played, Like dropping water in a silver cup; Till, round the shoulder of the neighbouring hill, Sudden she disappeared. And he awoke, And called himself hard names, and turned and went After his horses, bending too his head.
Ah God! when Beauty passes by the door, Although she ne'er came in, the house grows bare. Shut, shut the door; there's nothing in the house. Why seems it always that it should be ours? A secret lies behind which Thou dost know, And I can partly guess.
But think not then, The holder of the plough had many sighs Upon his bed that night; or other dreams Than pleasant rose upon his view in sleep, Within the magic crystal of the soul; Nor that the airy castles of his brain Had less foundation than the air admits. But read my simple tale, scarce worth the name; And answer, if he gained not from the fair Beauty's best gift; and proved her not, in sooth, An angel vision from a higher world.
Not much of her I tell. Her changeful life Where part the waters on the mountain ridge, Flowed down the other side apart from his. Her tale hath wiled deep sighs on summer eves, Where in the ancient mysteries of woods Walketh a man who worships womanhood. Soon was she orphaned of such parent-haunts; Surrounded with dead glitter, not the shine Of leaves in wind and sunlight; while the youth Breathed on, as if a constant breaking dawn Sent forth the new-born wind upon his brow; And knew the morning light was climbing up The further hill-side--morning light, which most, They say, reveals the inner hues of earth. Now she was such as God had made her, ere The world had tried to spoil her; tried, I say, And half-succeeded, failing utterly. Fair was she, frank, and innocent as a child That stares you in the eyes; fearless of ill, Because she knew it not; and brave withal, Because she drank the draught that maketh strong, The charmed country air. Her father's house-- A Scottish laird was he, of ancient name-- Stood only two miles off amid the hills; But though she often passed alone as now, The youth had never seen her face before, And might not twice. Yet was not once enough? It left him not. She, as the harvest moon That goeth on her way, and knoweth not The fields of grain whose ripening ears she fills With wealth of life and human joyfulness, Went on, and knew not of the influence She left behind; yea, never thought of him; Save at those times when, all at once, old scenes Return uncalled, with wonder that they come, Amidst far other thoughts and other cares; Sinking again into their ancient graves, Till some far-whispered necromantic spell Loose them once more to wander for a space.
Again I say, no fond romance of love, No argument of possibilities, If he were some one, and she claimed his aid, Turned his clear brain into a nest of dreams. As soon he had sat down and twisted cords To snare, and carry home for daylight use, Some woman-angel, wandering half-seen On moonlight wings, o'er withered autumn fields. But when he rose next morn, and went abroad, (The exultation of his new-found rank Already settling into dignity,) He found the earth was beautiful. The sky, Which shone with expectation of the sun, Somehow, he knew not how, was like her face. He grieved almost to plough the daisies down; Something they shared in common with that smile Wherewith she crowned his manhood; and they fell Bent in the furrow, sometimes, with their heads Just out imploringly. A hedgehog ran With tangled mesh of bristling spikes, and face Helplessly innocent, across the field: He let it run, and blessed it as it ran. At noon returning, something drew his feet Into the barn. Entering, he gazed and stood. Through the rent roof alighting, one sunbeam, Blazing upon the straw one golden spot, Dulled all the yellow heap, and sank far down, Like flame inverted, through the loose-piled mound, Crossing the splendour with the shadow-straws, In lines innumerable. 'Twas so bright, The eye was cheated with a spectral smoke That rose as from a fire. He never knew, Before, how beautiful the sunlight was; Though he had seen it in the grassy fields, And on the river, and the ripening corn, A thousand times. He threw him on the heap, And gazing down into the glory-gulf, Dreamed as a boy half-sleeping by the fire; And dreaming rose, and got his horses out.
God, and not woman, is the heart of all. But she, as priestess of the visible earth, Holding the key, herself most beautiful, Had come to him, and flung the portals wide. He entered in: each beauty was a glass That gleamed the woman back upon his view.
Already in these hours his growing soul Put forth the white tip of a floral bud, Ere long to be a crown-like, shadowy flower. For, by his songs, and joy in ancient tales, He showed the seed lay hidden in his heart, A safe sure treasure, hidden even from him, And notwithstanding mellowing all his spring; Until, like sunshine with its genial power, Came the fair maiden's face: the seed awoke. I need not follow him through many days; Nor tell the joys that rose around his path, Ministering pleasure for his labour's meed; Nor how each morning was a boon to him; Nor how the wind, with nature's kisses fraught, Flowed inward to his soul; nor how the flowers Asserted each an individual life, A separate being, for and in his thought; Nor how the stormy days that intervened Called forth his strength, and songs that quelled their force; Nor how in winter-time, when thick the snow Armed the sad fields from gnawing of the frost, And the low sun but skirted his far realms, And sank in early night, he took his place Beside the fire; and by the feeble lamp Head book on book; and lived in other lives, And other needs, and other climes than his; And added other beings thus to his. But I must tell that love of knowledge grew Within him to a passion and a power; Till, through the night (all dark, except the moon Shone frosty o'er the lea, or the white snow Gave back all motes of light that else had sunk Into the thirsty earth) he bent his way Over the moors to where the little town Lay gathered in the hollow. There the man Who taught the children all the shortened day, Taught other scholars in the long fore-night; And youths who in the shop, or in the barn, Or at the loom, had done their needful work, Came to his schoolroom in the murky night, And found the fire aglow, the candles lit, And the good master waiting for his men. Here mathematics wiled him to their heights; And strange consent of lines to form and law Made Euclid like a great romance of truth. The master saw with wonder how the youth All eagerly devoured the offered food, And straightway longed to lead him; with that hope Of sympathy which urges him that knows To multiply great knowledge by its gift; That so two souls ere long may see one truth, And, turning, see each others' faces shine. So he proposed the classics; and the youth Caught at the offer; and for many a night, When others lay and lost themselves in sleep, He groped his way with lexicon and rule, Through ancient deeds embalmed in Latin old, Or poet-woods alive with gracious forms; Wherein his knowledge of the English tongue (Through reading many books) much aided him-- For the soul's language is the same in all. At length his progress, through the master's word, Proud of his pupil, reached the father's ears. Great joy arose within him, and he vowed, If caring, sparing would accomplish it, He should to college, and should have his fill Of that same learning.
So to school he went, Instead of to the plough; and ere a year, He wore the scarlet gown with the close sleeves.
Awkward at first, but with a dignity That soon found fit embodiment in speech And gesture and address, he made his way, Not seeking it, to the respect of youths, In whom respect is of the rarer gifts. Likewise by the consent of accidents, More than his worth, society, so called, In that great northern city, to its rooms Invited him. He entered. Dazzled first, Not only by the brilliance of the show, In lights and mirrors, gems, and crowded eyes; But by the surface lights of many minds Cut like rose-diamonds into many planes, Which, catching up the wandering rays of fact, Reflected, coloured, tossed them here and there, In varied brilliance, as if quite new-born From out the centre, not from off the face-- Dazzled at first, I say, he soon began To see how little thought could sparkle well, And turn him, even in the midst of talk, Back to the silence of his homely toils. Around him still and ever hung an air Born of the fields, and plough, and cart, and scythe; A kind of clumsy grace, in which gay girls Saw but the clumsiness; while those with light, Instead of glitter, in their quiet eyes, Saw the grace too; yea, sometimes, when he talked, Saw the grace only; and began at last, As he sought none, to seek him in the crowd (After a maiden fashion), that they might Hear him dress thoughts, not pay poor compliments. Yet seldom thus was he seduced from toil; Or if one eve his windows showed no light, The next, they faintly gleamed in candle-shine, Till far into the morning. And he won Honours among the first, each session's close.
And if increased familiarity With open forms of ill, not to be shunned Where youths of all kinds meet, endangered there A mind more willing to be pure than most-- Oft when the broad rich humour of a jest, Did, with its breezy force, make radiant way For pestilential vapours following-- Arose within his sudden silent mind, The maiden face that smiled and blushed on him; That lady face, insphered beyond his earth, Yet visible to him as any star That shines unwavering. I cannot tell In words the tenderness that glowed across His bosom--burned it clean in will and thought; "Shall that sweet face be blown by laughter rude Out of the soul where it has deigned to come, But will not stay what maidens may not hear?" He almost wept for shame, that those two thoughts Should ever look each other in the face, Meeting in _his_ house. Thus he made to her, For love, an offering of purity.
And if the homage that he sometimes found, New to the country lad, conveyed in smiles, Assents, and silent listenings when he spoke, Threatened yet more his life's simplicity; An antidote of nature ever came, Even nature's self. For, in the summer months, His former haunts and boyhood's circumstance Received him back within old influences. And he, too noble to despise the past, Too proud to be ashamed of manhood's toil, Too wise to fancy that a gulf lay wide Betwixt the labouring hand and thinking brain, Or that a workman was no gentleman, Because a workman, clothed himself again In his old garments, took the hoe or spade, Or sowing sheet, or covered in the grain, Smoothing with harrows what the plough had ridged. With ever fresher joy he hailed the fields, Returning still with larger powers of sight: Each time he knew them better than before, And yet their sweetest aspect was the old. His labour kept him true to life and fact, Casting out worldly judgments, false desires, And vain distinctions. Ever, at his toil, New thoughts arose; which, when still night awoke, He ever sought, like stars, with instruments; By science, or by wise philosophy, Bridging the gulf between them and the known; And thus preparing for the coming months, When in the time of snow, old Scotland's sons Reap wisdom in the silence of the year.
His sire was proud of him; and, most of all, Because his learning did not make him proud. A wise man builds not much upon his lore. The neighbours asked what he would make his son. "I'll make a man of him," the old man said; "And for the rest, just what he likes himself. But as he is my only son, I think He'll keep the old farm joined to the old name; And I shall go to the churchyard content, Leaving my name amongst my fellow men, As safe, thank God, as if I bore it still." But sons are older than their sires full oft In the new world that cometh after this.
So four years long his life went to and fro Betwixt the scarlet gown and rough blue coat; The garret study and the wide-floored barn; The wintry city, and the sunny fields. In each his quiet mind was well content, Because he was himself, where'er he was.
Not in one channel flowed his seeking thoughts; To no profession did he ardent turn: He knew his father's wish--it was his own. "Why should a man," he said, "when knowledge grows, Leave therefore the old patriarchal life, And seek distinction in the noise of men?" And yet he turned his face on every side; Went with the doctors to the lecture-room, And saw the inner form of man laid bare; Went with the chymists, where the skilful hand, Revering laws higher than Nature's self, Makes Nature do again, before our eyes, And in a moment, what, in many years, And in the veil of vastness and lone deeps, She laboureth at alway, then best content When man inquires into her secret ways; Yea, turned his asking eye on every source Whence knowledge floweth for the hearts of men, Kneeling at some, and drinking freely there. And at the end, when he had gained the right To sit with covered head before the rank Of black-gowned senators; and all these men Were ready at a word to speed him on, Proud of their pupil, towards any goal Where he might fix his eye; he took his books, What little of his gown and cap remained, And, leaving with a sigh the ancient walls, With the old stony crown, unchanging, grey, Amidst the blandishments of airy Spring, He sought for life the lone ancestral farm.
With simple gladness met him on the road His grey-haired father, elder brother now. Few words were spoken, little welcome said, But much was understood on either side. If with a less delight he brought him home Than he that met the prodigal returned, Yet with more confidence, more certain joy; And with the leaning pride that old men feel In young strong arms that draw their might from them, He led him to the house. His sister there, Whose kisses were not many, but whose eyes Were full of watchfulness and hovering love, Set him beside the fire in the old place, And heaped the table with best country fare. And when the night grew deep, the father rose, And led his son (who wondered why they went, And in the darkness made a tortuous path Through the corn-ricks) to an old loft, above The stable where his horses rested still. Entering, he saw some plan-pursuing hand Had been at work. The father, leading on Across the floor, heaped up with waiting grain, Opened a door. An unexpected light Flashed on them from a cheerful lamp and fire, That burned alone, as in a fairy tale. And lo! a little room, white-curtained bed, An old arm-chair, bookshelves, and writing desk, And some old prints of deep Virgilian woods, And one a country churchyard, on the walls. The young man stood and spoke not. The old love Seeking and finding incarnation new, Drew from his heart, as from the earth the sun, Warm tears. The good, the fatherly old man, Honouring in his son the simple needs Which his own bounty had begot in him, Thus gave him loneliness for silent thought, A simple refuge he could call his own. He grasped his hand and shook it; said good night, And left him glad with love. Faintly beneath, The horses stamped and drew the lengthening chain.
The collection opens with a sonnet addressed to the poet's father, establishing a central concern: the relationship between earthly fatherhood and divine fatherhood. MacDonald writes of a 'sense thy living self did breed / That fatherhood is at the great world's core,' immediately grounding theological reflection in personal experience. The epigraph from Dante's Inferno signals a journey motif that recurs throughout the volume.
Readers should note that the title poem, 'A Hidden Life,' is a narrative of two lovers who choose service over personal happiness, framed by a dream-vision. The excerpt shows MacDonald using natural imagery—snowdrops, spring, a mere—to embody spiritual growth. The poem's conclusion explicitly contrasts 'Spring-hope' with 'summer-joy,' suggesting a preference for nascent faith over fulfilled desire.
The Dedication Sonnets: Fatherhood as Theological Lens
The two sonnets 'To My Father' are not mere filial tribute; they articulate a method for understanding God. The first sonnet moves from gratitude for 'early gifts ill understood' to the claim that 'fatherhood is at the great world's core.' The second traces a developmental arc: childhood's 'reverence clothed thee, undefined' gives way to manhood's ability to see 'thy human life behind.' This pattern—moving from abstract awe to concrete recognition—mirrors the poet's approach to the divine. MacDonald explicitly parallels this growth: 'So I beheld my God, in childhood's morn, / A mist, a darkness... / My manhood came... / Revealed man's glory, God's great human heart.' The sonnets thus serve as a key to the volume's method: spiritual insight emerges not from doctrine but from lived relationship.
Narrative Poems: Service Over Contemplation
Two narrative poems in the excerpts dramatize the tension between solitary devotion and active charity. In 'A Hidden Life,' the lovers decide to leave their idyllic retreat to serve 'those pale faces of our fellow men,' concluding that 'Hands are apostles still to saviour-hearts.' The poem's frame—a dream from which the speaker wakes to his room and books—suggests that such service is itself a form of higher vision.
'After an Old Legend' presents a monk who interrupts his prayer to feed the poor, only to find Christ waiting in his cell upon return. The poem's final stanza adds a quiet corrective: 'If the monk had stayed, the Lord would have stayed, / Nor crushed that heart of his.' The legend is not a simple lesson but a meditation on divine patience. Both poems use concrete details—the chisel scar on Christ's hand, the convent bell—to ground their spiritual arguments.
Recurring Imagery: Snowdrops, Spring, and the Hidden Life
MacDonald returns repeatedly to the snowdrop as a symbol of spiritual resilience. In 'A Hidden Life,' the flower is linked to 'a higher spring' and contrasted with the magnolia: 'He loves / The snowdrop more than the magnolia; / Spring-hope is more to him than summer-joy.' This preference for the humble, early bloom over the showy flower recurs in the poem's assertion that 'a heath-bell upon a lonely waste / Hath more than scarlet splendour.'
The title itself—'A Hidden Life'—points to this valuing of the unseen. The speaker in the title poem wakes from a dream 'and know my room, / My darling books, the cherub forms above,' finding the sacred in domestic space. 'The Tree's Prayer' extends the motif: a tree laments winter's cold and longs for spring, its 'frozen roots' and 'withered veins' figuring spiritual desolation. The natural world becomes a lexicon for inner states.
Voices of Women in the Gospel Poems
The section titled 'The Gospel Women' offers a series of dramatic monologues from female figures in the New Testament. The table of contents lists sixteen poems, from 'The Mother Mary' to 'The Woman That Was a Sinner.' Though the excerpts do not include the full texts, the titles alone indicate a sustained attention to marginal or overlooked perspectives: the Syrophenician woman, the widow of Nain, the woman with the issue of blood, Pilate's wife.
This sequence suggests MacDonald's interest in how ordinary people encounter the divine. The poems likely explore moments of recognition, faith, and doubt from a feminine vantage point. Readers approaching the collection should note that these poems form a distinct subgroup within the volume, possibly offering a counterpoint to the more abstract theological sonnets. The variety of forms—sonnets, narratives, lyrics—across the collection rewards attention to how MacDonald adapts his voice to each speaker.
The excerpts reveal a poet who uses simple, concrete images—snowdrops, tree bark, a chisel scar—to explore complex spiritual states. MacDonald's verse often moves between dream and waking, solitude and service, winter and spring. Readers will find that the poems reward rereading: what first appears as devotional piety often contains quiet theological argument. The collection's structure, moving from personal sonnets through narratives to scriptural monologues, invites a sequential reading that traces the development of a hidden life from private faith to public witness.
Snowdrops pushing through late frost—that’s what this collection brings back, those quiet hours of doubt I once turned over in my hands. The same ache surfaced years later when I found George Eliot’s hymn of hidden service in O May I Join the Choir Invisible! and Other Favorite Poems — Reading Notes, and thought, we really do live our truest loves unseen.
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