Georgian Poetry 1911-1912 — Reading Companion

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Marsh, Edward Howard, Sir, 1872-1953 [Editor] Project Gutenberg 2005 Not confirmed
English poetry -- 20th century Readers of public-domain and historical texts
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Words 35,198
Reading time 154 min
Text sections 6

The catalog record for Georgian Poetry 1911-1912 — Reading Companion provides practical reading context through 35,198 words, 2 hr 34 min estimated reading time, and 6 detected text sections.

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Project Gutenberg metadata also associates the work with “English poetry -- 20th century,” connecting these edition facts with the source record’s subject description.

Editorial note on Edward Marsh's 1912 anthology, examining how its prefatory claim of a 'new strength and beauty' in English poetry aligns with the diverse verse included, from Dunsany's manifesto to Lawrence's sensual snapdragon poem.
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There was a voice that fleered upon the king: 'This is the man who makes much of himself For filling the common eyes with palaces Gorgeously bragging out his royalty: Whereas he hath not one that seemeth not In work, in height, in posture on the ground, A hut, a peasant's dingy shed, to mine. And all his excellent woods, metals, and stones, The things he's filched out of the earth's old pockets And hoised up into walls and domes; the gold, Ebony, agate stairs, wainscots of jade, The windows of jargoon, and heavenly lofts Of marble, all the stuff he takes to be wealth, Reckons like savage mud and wattle against The matter of my building.'--And the king, Gloating upon the white sheen of that palace, And weeping like a girl ashamed, inquired 'What is that stone?' And the voice answered him, 'Soul.' 'But in my palaces too,' said he, 'There should be soul built: I have driven nations, What with quarrying, what with craning, down To death, and sure their souls stay in my work.' And 'Mud and wattle' sneered the voice again; But added, 'In the west there is a man, A slave, a carpenter, whose heart has been Apprenticed to the skill that built my reign, This beauty; and were he master of your gangs, He'ld build you a palace that would look like mine.'-- So now no ship may sail from India, Since the king's scornful dream, unless it bring A carpenter among its homeward lading: And carpenters are getting hard to find.

And have none made for the king his desire?

Many have tried, with roasting living men In queer huge kilns, and other sleights, to found A glass of human souls; and others seek With marvellous stone to please our desperate king. Always at last their own tormented bodies Delight the cruelty of the king's heart.

Well then, I hope you'll find your carpenter, And soon. I would not that we wait too long; I loathe a dallying journey.--I should suppose We'ld have good sailing at this season, now?

Why, you were looking, a few minutes gone, For rare wild storms: I hope we'll have them too; I want to see you work that talisman You boast about: I've a great love for spells.

Let it be storm or calm, so we be sailing. I long have wished to voyage into mid sea, To give my senses rest from wondering On this perplexed grammar of the land Written in men and women, the strange trees, Herbs, and those things so like to souls, the beasts. My wilful senses will keep perilously Employed with these my brain, and weary it Still to be asking. But on the high seas Such throng'd reality is left behind,-- Only vast air and water, and the hue That always seems like special news of God. Surely 'tis half way to eternity To go where only size and colour live; And I could purify my mind from all Worldly amazement by imagining Beyond my senses into God's great Heaven, If I were in mid sea. I have dreamed of this. Wondrous too, I think, to sail at night, While shoals of moonlight flickers dance beside, Like swimming glee of fishes scaled in gold, Curvetting in thwart bounds over the swell; The perceiving flesh, in bliss of such a beauty, Must sure feel fine as spiritual sight.-- Moods have been on me, too, when I would be Sailing recklessly through wild darkness, where Gigantic whispers of a harassed sea Fill the whole world of air, and I stand up To breast the danger of the loosen'd sky, And feel my immortality like music,-- Yea, I alone in the broken world, firm things All gone to monstrous flurry, knowing myself An indestructible word spoken by God.-- This is a small, small boat?

Captain: Small is nothing, A bucket will do, so it know how to ride Top upward: cleverness is the thing in boats. And I wish this were cleverer: she goes crank At times just when she should go sober. But what? Boats are but girls for whimsies: men Must let them have their freaks.

Thomas: Have you good skill In seamanship?

Captain: Well, I am not drowned yet, Though I'm a grey man and have been at sea Longer than you've been walking. My old sight Can tell Mizar from Alcor still.

Thomas: Ay, so; Doubtless you'll bring me safe to India. But being there--tell me now of the land: How use they strangers there?

Captain: Queerly, sometimes. If the king's moody, and tired of feeling nerves Mildly made happy with soft jewel of silk, Odours and wines and slim lascivious girls, And yearns for sharper thrills to pierce his brain, He often finds a stranger handy then.

Thomas: Why, what do you mean?

Captain: There was a merchant came To Travancore, and could not speak our talk; And, it chanced, he was brought before the throne Just when the king was weary of sweet pleasures. So, to better his tongue, a rope was bent Beneath his oxters, up he was hauled, and fire Let singe the soles of his feet, until his legs Wriggled like frying eels; then the king's dogs Were set to hunt the hirpling man. The king Laught greatly and cried, 'But give the dogs words they know, And they'll be tame.'--Have you the Indian speech?

Thomas: Not yet: it will be given me, I trust.

Captain: You'd best make sure of the gift. Another stranger, Who swore he knew of better gods than ours, Seemed to the king troubled with fleas, and slaves Were told to groom him smartly, which they did Thoroughly with steel combs, until at last They curried the living flesh from off his bones And stript his face of gristle, till he was Skull and half skeleton and yet alive. You're not for dealing in new gods?

Thomas: Not I. Was the man killed?

Captain: He lived a little while; But the flies killed him.

Thomas: Flies? I hope India Is not a fly-plagued land? I abhor flies.

Captain: You will see strange ones, for our Indian life Hath wonderful fierce breeding. Common earth With us quickens to buzzing flights of wings As readily as a week-old carcase here Thrown in a sunny marsh. Why, we have wasps That make your hornets seem like pretty midges; And there be flies in India will drink Not only blood of bulls, tigers, and bears, But pierce the river-horses' creasy leather, Ay, worry crocodiles through their cuirasses And prick the metal fishes when they bask. You'll feel them soon, with beaks like sturdy pins, Treating their stinging thirsts with your best blood. A man can't walk a mile in India Without being the business of a throng'd And moving town of flies; they hawk at a man As bold as little eagles, and as wild. And, I suppose, only a fool will blame them. Flies have the right to sink wells in our skin All as men to bore parcht earth for water. But I must do a job on board, and then Search the town afresh for a carpenter.

Thomas: (alone) Ay, loose tongue, I know how thou art prompted. Satan's cunning device thou art, to sap My heart with chatter'd fears. How easy it is For a stiff mind to hold itself upright Against the cords of devilish suggestion Tackled about it, though kept downward strained With sly, masterful winches made of fear. Yea, when the mind is warned what engines mean To ply it into grovelling, and thought set firm, The tugging strings fail like a cobweb-stuff. Not as in Baghdad is it with me now; Nor canst thou, Satan, by a prating mouth Fell my tall purpose to a flatlong scorn. I can divide the check of God's own hand From tempting such as this: India is mine!-- Ay, fiend, and if thou utter thy storming heart Into the ocean sea, as into mob A rebel utters turbulence and rage, And raise before my path swelling barriers Of hatred soul'd in water, yet will I strike My purpose, and God's purpose, clean through all The ridges of thy power. And I will show This mask that the devil wears, this old shipman, A thing to make his proud heart of evil Writhe like a trodden snake; yea, he shall see How godly faith can go upon the huge Fury of forces bursting out of law, Easily as a boy goes on windy grass.-- O marvel! that my little life of mind Can by mere thinking the unsizeable Creature of sea enslave! I must believe it. The mind hath many powers beyond name Deep womb'd within it, and can shoot strange vigours: Men there have been who could so grimly look That soldiers' hearts went out like candle flames Before their eyes, and the blood perisht in them.-- But I--could I do that? Would I not feel The power in me if 'twas there? And yet 'Twere a child's game to what I have to do, For days and days with sleepless faith oppress And terrorise the demon sea. I think A man might, as I saw my Master once, Pass unharmed through a storm of men, yet fail At this that lies before me: men are mind, And mind can conquer mind; but how can it quell The unappointed purpose of great waters?-- Well, say the sea is past: why, then I have My feet but on the threshold of my task, To gospel India,--my single heart To seize into the order of its beat All the strange blood of India, my brain To lord the dark thought of that tann'd mankind!-- O horrible those sweltry places are, Where the sun comes so close, it makes the earth Burn in a frenzy of breeding,--smoke and flame Of lives burning up from agoniz'd loam! Those monstrous sappy jungles of clutcht growth, Enormous weed hugging enormous weed, What can such fearful increase have to do With prospering bounty? A rage works in the ground, Incurably, like frantic lechery, Pouring its passion out in crops and spawns. 'Tis as the mighty spirit of life, that here Walketh beautifully praising, glad of God, Should, stepping on the poison'd Indian shore, Breathing the Indian air of fire and steams, Fling herself into a craze of hideous dancing, The green gown whipping her swift limbs, all her body Writhen to speak inutterable desire, Tormented by a glee of hating God. Nay, it must be, to visit India, That frantic pomp and hurrying forth of life, As if a man should enter at unawares The dreaming mind of Satan, gorgeously Imagining his eternal hell of lust.--

They say the land is full of apes, which have Their own gods and worship; how ghastly, this!-- That demons (for it must be so) should build, In mockery of man's upward faith, the souls Of monkeys, those lewd mammets of mankind, Into a dreadful farce of adoration! And flies! a land of flies! where the hot soil Foul with ceaseless decay steams into flies! So thick they pile themselves in the air above Their meal of filth, they seem like breathing heaps Of formless life mounded upon the earth; And buzzing always like the pipes and strings Of solemn music made for sorcerers.-- I abhor flies,--to see them stare upon me Out of their little faces of gibbous eyes; To feel the dry cool skin of their bodies alight Perching upon my lips!--O yea, a dream, A dream of impious obscene Satan, this Monstrous frenzy of life, the Indian being! And there are men in the dream! What men are they? I've heard, naught relishes their brains so much As to tie down a man and tease his flesh Infamously, until a hundred pains Hound the desiring life out of his body, Filling his nerves with such a fearful zest That the soul overstrained shatters beneath it. Must I preach God to these murderous hearts? I would my lot had fallen to go and dare Death from the silent dealing of Northern cold!--

O, but I would face all these Indian fears, The horror of the huge power of life, The beasts all fierce and venomous, the men With cruel souls, learned to invent pain, All these and more, if I had any hope That, braving them, Lord Christ prosper'd through me. If Christ desired India, He had sent The band of us, solder'd in one great purpose, To strike His message through those dark vast tribes But one man!--O surely it is folly, And we misread the lot! One man, to thrust, Even though in his soul the lamp was kindled At God's own hands, one man's lit soul to thrust The immense Indian darkness out of the world! For human flesh there breeds as furiously As the green things and the cattle; and it is all, All this enormity of measureless folk, Penn'd in a land so close to the devil's reign The very apes have faith in him.--No, no; Impetuous brains mistake the signs of God Too easily. God would not have me waste My zeal for Him in this wild enterprise, Of going alone to swarming India;--one man, One mortal voice, to charm those myriad ears Away from the fiendish clamour of Indian gods, One man preaching the truth against the huge Bray of the gongs and horns of the Indian priests! A cup of wine poured in the sea were not More surely lost in the green and brackish depths, Than the fire and fragrance of my doctrine poured Into that multitudinous pond of men, India.--Shipman! Master of the ship!-- I have thought better of this journey; now I find I am not meant to go.

Thomas: I would say, I had forgotten Indian air Is full of fevers; and my health is bad For holding out against fever.

Captain: As you please. I keep your fare, though.

Thomas: O, 'tis yours.--Good sailing!

[As he makes to depart, a Noble Stranger is seen approaching along the quay.]

Captain: Well, here's a marvel: 'Tis a king, for sure! 'Twould take the taxes of a world to dress A man in that silken gold, and all those gems. What a flash the light makes of him; nay, he burns; And he's here on the quay all by himself, Not even a slave to fan him!--Man, you're ailing! You look like death; is it the falling sickness? Or has the mere thought of the Indian journey Made your marrow quail with a cold fever?

The Stranger: (to the Captain)

You are the master of this ship?

Stranger: This huddled man belongs to me: a slave Escaped my service.

Captain: Lord, I knew not that. But you are in good time.

Stranger: And was the slave For putting out with you? Where are you bound?

Captain: To India. First he would sail, and then Again he would not. But, my Lord, I swear I never guesst he was a runaway.

Stranger: Well, he shall have his mind and go with you To India: a good slave he is, but bears A restless thought. He has slipt off before, And vexes me still to be watching him. We'll make a bargain of him.

Captain: I, my Lord? I have no need of slaves: I am too poor.

Stranger: For twenty silver pieces he is yours.

Captain: That's cheap, if he has skill. Yes, there might be Profit in him at that. Has he a trade?

Stranger: He is a carpenter.

Captain: A carpenter! Why, for a good one I'ld give all my purse.

Stranger: No, twenty silver pieces is the price; Though 'tis a slave a king might joy to own. I've taught him to imagine palaces So high, and tower'd so nobly, they might seem The marvelling of a God-delighted heart Escaping into ecstasy; he knows, Moreover, of a stuff so rare it makes Smaragdus and the dragon-stone despised; And yet the quarries whereof he is wise Would yield enough to house the tribes of the world In palaces of beautiful shining work.

Captain Lo there! why, that is it: the carpenter I am to bring is needed for to build The king's new palace.

Stranger: Yea? He is your man.

Captain: Come on, my man. I'll put your cunning heels Where they'll not budge more than a shuffled inch. My lord, if you'll bide with the rascal here I'll get the irons ready. Here's your sum.--

Stranger: Now, Thomas, know thy sin. It was not fear; Easily may a man crouch down for fear, And yet rise up on firmer knees, and face The hailing storm of the world with graver courage. But prudence, prudence is the deadly sin, And one that groweth deep into a life, With hardening roots that clutch about the breast. For this refuses faith in the unknown powers Within man's nature; shrewdly bringeth all Their inspiration of strange eagerness To a judgment bought by safe experience; Narrows desire into the scope of thought. But it is written in the heart of man, Thou shalt no larger be than thy desire. Thou must not therefore stoop thy spirit's sight To pore only within the candle-gleam Of conscious wit and reasonable brain; But search into the sacred darkness lying Outside thy knowledge of thyself, the vast Measureless fate, full of the power of stars, The outer noiseless heavens of thy soul. Keep thy desire closed in the room of light The labouring fires of thy mind have made, And thou shalt find the vision of thy spirit Pitifully dazzled to so shrunk a ken, There are no spacious puissances about it, But send desire often forth to scan The immense night which is thy greater soul; Knowing the possible, see thou try beyond it Into impossible things, unlikely ends; And thou shalt find thy knowledgeable desire Grow large as all the regions of thy soul, Whose firmament doth cover the whole of Being, And of created purpose reach the ends.

Edward Marsh's 1912 anthology opens with a prefatory note asserting that English poetry is 'once again putting on a new strength and beauty,' a claim the volume itself must substantiate. The table of contents lists twenty poets, including Rupert Brooke, D. H. Lawrence, and Walter de la Mare, but the excerpts reveal a more uneven collection than Marsh's confident tone suggests. The opening prose by Lord Dunsany—a rhapsodic definition of the poet as one who 'sees at a glance the glory of the world'—sets an idealistic frame that the poems do not uniformly fulfill.

Marsh's Editorial Framing vs. Poetic Range

The prefatory note positions the anthology as a corrective to public inattention, claiming that 'few readers have the leisure or the zeal to investigate each volume as it appears.' Yet the selection itself is eclectic: alongside Dunsany's manifesto, we find Wilfrid Wilson Gibson's narrative poem 'Devil's Edge,' which recounts a fisherman's disappearance and a widow's grief in plain, ballad-like stanzas. The contrast between Marsh's lofty rhetoric and Gibson's stark tale of loss—'Young Philip Burn was lost, though how, / None knew'—suggests that the 'new strength' may lie in varied registers, not a single poetic program.

Recurring Motifs: The Sea, Loss, and the Supernatural

Several poems in the excerpts share a preoccupation with the sea as a site of mystery and death. In Gibson's 'Devil's Edge,' the sea takes a young husband; the widow wanders 'singing all the night / Unearthly songs beside the sea.' D. H. Lawrence's 'Snap-dragon' uses a garden setting, but its imagery of choking and drowning—'my throat in her power / Strangled'—echoes the same sense of peril. The anthology's catalog subject is 'English poetry,' but the excerpts lean heavily toward narrative verse with supernatural undertones, such as the widow's 'queer, wild eyes' and her transformation from grief to a 'tenderness' that is 'free of pain and fear.'

The Body and Desire in Lawrence's Contribution

Lawrence's 'Snap-dragon' stands out for its intense physicality. The speaker follows a woman whose 'white dress / rocked in a lilt along,' and the poem's central image—the snapdragon flower whose 'crimson throat' she closes—becomes a metaphor for erotic power and vulnerability. Lawrence writes of 'my heart swelled up so full / As if it would burst its wineskin in my throat,' a visceral expression that contrasts with the more restrained voices in the anthology. This poem, with its 'brown hand' and 'amethyst' cup, introduces a sensual, almost violent energy that Marsh's prefatory note does not preview, hinting at the anthology's hidden range.

Readers approaching this anthology should note that its prefatory claims of a unified 'Georgian period' are belied by the diversity of its contents. The excerpts suggest a collection where Dunsany's cosmic vision, Gibson's folk tragedy, and Lawrence's eroticism coexist uneasily. Pay attention to how each poet handles the sea, the body, or the supernatural—these recurring elements may offer a more coherent thread than Marsh's editorial framing.

I keep returning to Edward Marsh’s preface, that quiet insistence on “new strength” — and it reminds me of standing by a harbor at dusk, watching lights settle on water. There’s a similar calm boldness in Ballads of Lost Haven: A Book of the Sea — Edition Insights, as if the tide itself had learned to speak in verse. Both feel less like anthologies, more like tide tables for the soul.

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