The Frost Spirit, and other poems Part 1 From Volume II of The Works of John Greenleaf Whittier — Background and Themes
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POEMS SUBJECTIVE AND REMINISCENT
BY JOHN GREENLEAF WHITTIER
POEMS OF NATURE: THE FROST SPIRIT THE MERRIMAC HAMPTON BEACH A DREAM OF SUMMER THE LAKESIDE AUTUMN THOUGHTS ON RECEIVING AN EAGLE'S QUILL FROM LAKE SUPERIOR APRIL PICTURES SUMMER BY THE LAKESIDE THE FRUIT-GIFT FLOWERS IN WINTER THE MAYFLOWERS THE LAST WALK IN AUTUMN THE FIRST FLOWERS THE OLD BURYING-GROUND THE PALM-TREE THE RIVER PATH MOUNTAIN PICTURES I. FRANCONIA FROM THE PEMIGEWASSET II. MONADNOCK FROM WACHUSET THE VANISHERS THE PAGEANT THE PRESSED GENTIAN A MYSTERY A SEA DREAM HAZEL BLOSSOMS SUNSET ON THE BEARCAMP THE SEEKING OF THE WATERFALL THE TRAILING ARBUTUS ST. MARTINS SUMMER STORM ON LAKE ASQUAM A SUMMER PILGRIMAGE SWEET FERN THE WOOD GIANT A DAY
POEMS SUBJECTIVE AND REMINISCENT: MEMORIES RAPHAEL EGO THE PUMPKIN FORGIVENESS TO MY SISTER MY THANKS REMEMBRANCE MY NAMESAKE A MEMORY MY DREAM THE BAREFOOT BOY MY PSALM THE WAITING SNOW-BOUND MY TRIUMPH IN SCHOOL-DAYS MY BIRTHDAY RED RIDING-HOOD RESPONSE AT EVENTIDE VOYAGE OF THE JETTIE MY TRUST A NAME GREETING CONTENTS AN AUTOGRAPH ABRAM MORRISON A LEGACY
RELIGIOUS POEMS: THE STAR OF BETHLEHEM THE CITIES OF THE PLAIN THE CALL OF THE CHRISTIAN THE CRUCIFIXION PALESTINE HYMNS FROM THE FRENCH OF LAMARTINE I. ENCORE UN HYMNE II. LE CRI DE L'AME THE FAMILIST'S HYMN EZEKIEL WHAT THE VOICE SAID THE ANGEL OF PATIENCE THE WIFE OF MANOAH TO HER HUSBAND MY SOUL AND I WORSHIP THE HOLY LAND THE REWARD THE WISH OF TO-DAY ALL'S WELL INVOCATION QUESTIONS OF LIFE FIRST-DAY THOUGHTS TRUST TRINITAS THE SISTERS "THE ROCK" IN EL GHOR THE OVER-HEART THE SHADOW AND THE LIGHT THE CRY OF A LOST SOUL ANDREW RYKMAN'S PRAYER THE ANSWER THE ETERNAL GOODNESS THE COMMON QUESTION OUR MASTER THE MEETING THE CLEAR VISION DIVINE COMPASSION THE PRAYER-SEEKER THE BREWING OF SOMA A WOMAN THE PRAYER OF AGASSIZ IN QUEST THE FRIEND'S BURIAL A CHRISTMAS CARMEN VESTA CHILD-SONGS THE HEALER THE TWO ANGELS OVERRULED HYMN OF THE DUNKERS GIVING AND TAKING THE VISION OF ECHARD INSCRIPTIONS ON A SUN-DIAL ON A FOUNTAIN THE MINISTER'S DAUGHTER BY THEIR WORKS THE WORD THE BOOK REQUIREMENT HELP UTTERANCE ORIENTAL MAXIMS THE INWARD JUDGE LAYING UP TREASURE CONDUCT AN EASTER FLOWER GIFT THE MYSTIC'S CHRISTMAS AT LAST WHAT THE TRAVELLER SAID AT SUNSET THE "STORY OF IDA" THE LIGHT THAT IS FELT THE TWO LOVES ADJUSTMENT HYMNS OF THE BRAHMO SOMAJ REVELATION
He comes,--he comes,--the Frost Spirit comes You may trace his footsteps now On the naked woods and the blasted fields and the brown hill's withered brow. He has smitten the leaves of the gray old trees where their pleasant green came forth, And the winds, which follow wherever he goes, have shaken them down to earth.
He comes,--he comes,--the Frost Spirit comes! from the frozen Labrador, From the icy bridge of the Northern seas, which the white bear wanders o'er, Where the fisherman's sail is stiff with ice, and the luckless forms below In the sunless cold of the lingering night into marble statues grow
He comes,--he comes,--the Frost Spirit comes on the rushing Northern blast, And the dark Norwegian pines have bowed as his fearful breath went past. With an unscorched wing he has hurried on, where the fires of Hecla glow On the darkly beautiful sky above and the ancient ice below.
He comes,--he comes,--the Frost Spirit comes and the quiet lake shall feel The torpid touch of his glazing breath, and ring to the skater's heel; And the streams which danced on the broken rocks, or sang to the leaning grass, Shall bow again to their winter chain, and in mournful silence pass. He comes,--he comes,--the Frost Spirit comes! Let us meet him as we may, And turn with the light of the parlor-fire his evil power away; And gather closer the circle round, when that fire-light dances high, And laugh at the shriek of the baffled Fiend as his sounding wing goes by! 1830.
"The Indians speak of a beautiful river, far to the south, which they call Merrimac."--SIEUR. DE MONTS, 1604.
Stream of my fathers! sweetly still The sunset rays thy valley fill; Poured slantwise down the long defile, Wave, wood, and spire beneath them smile. I see the winding Powow fold The green hill in its belt of gold, And following down its wavy line, Its sparkling waters blend with thine. There 's not a tree upon thy side, Nor rock, which thy returning tide As yet hath left abrupt and stark Above thy evening water-mark; No calm cove with its rocky hem, No isle whose emerald swells begin Thy broad, smooth current; not a sail Bowed to the freshening ocean gale; No small boat with its busy oars, Nor gray wall sloping to thy shores; Nor farm-house with its maple shade, Or rigid poplar colonnade, But lies distinct and full in sight, Beneath this gush of sunset light. Centuries ago, that harbor-bar, Stretching its length of foam afar, And Salisbury's beach of shining sand, And yonder island's wave-smoothed strand, Saw the adventurer's tiny sail, Flit, stooping from the eastern gale; And o'er these woods and waters broke The cheer from Britain's hearts of oak, As brightly on the voyager's eye, Weary of forest, sea, and sky, Breaking the dull continuous wood, The Merrimac rolled down his flood; Mingling that clear pellucid brook, Which channels vast Agioochook When spring-time's sun and shower unlock The frozen fountains of the rock, And more abundant waters given From that pure lake, "The Smile of Heaven," Tributes from vale and mountain-side,-- With ocean's dark, eternal tide!
On yonder rocky cape, which braves The stormy challenge of the waves, Midst tangled vine and dwarfish wood, The hardy Anglo-Saxon stood, Planting upon the topmost crag The staff of England's battle-flag; And, while from out its heavy fold Saint George's crimson cross unrolled, Midst roll of drum and trumpet blare, And weapons brandishing in air, He gave to that lone promontory The sweetest name in all his story; Of her, the flower of Islam's daughters, Whose harems look on Stamboul's waters,-- Who, when the chance of war had bound The Moslem chain his limbs around, Wreathed o'er with silk that iron chain, Soothed with her smiles his hours of pain, And fondly to her youthful slave A dearer gift than freedom gave.
But look! the yellow light no more Streams down on wave and verdant shore; And clearly on the calm air swells The twilight voice of distant bells. From Ocean's bosom, white and thin, The mists come slowly rolling in; Hills, woods, the river's rocky rim, Amidst the sea--like vapor swim, While yonder lonely coast-light, set Within its wave-washed minaret, Half quenched, a beamless star and pale, Shines dimly through its cloudy veil!
Home of my fathers!--I have stood Where Hudson rolled his lordly flood Seen sunrise rest and sunset fade Along his frowning Palisade; Looked down the Appalachian peak On Juniata's silver streak; Have seen along his valley gleam The Mohawk's softly winding stream; The level light of sunset shine Through broad Potomac's hem of pine; And autumn's rainbow-tinted banner Hang lightly o'er the Susquehanna; Yet wheresoe'er his step might be, Thy wandering child looked back to thee! Heard in his dreams thy river's sound Of murmuring on its pebbly bound, The unforgotten swell and roar Of waves on thy familiar shore; And saw, amidst the curtained gloom And quiet of his lonely room, Thy sunset scenes before him pass; As, in Agrippa's magic glass, The loved and lost arose to view, Remembered groves in greenness grew, Bathed still in childhood's morning dew, Along whose bowers of beauty swept Whatever Memory's mourners wept, Sweet faces, which the charnel kept, Young, gentle eyes, which long had slept; And while the gazer leaned to trace, More near, some dear familiar face, He wept to find the vision flown,-- A phantom and a dream alone! 1841.
The sunlight glitters keen and bright, Where, miles away, Lies stretching to my dazzled sight A luminous belt, a misty light, Beyond the dark pine bluffs and wastes of sandy gray.
The tremulous shadow of the Sea! Against its ground Of silvery light, rock, hill, and tree, Still as a picture, clear and free, With varying outline mark the coast for miles around.
On--on--we tread with loose-flung rein Our seaward way, Through dark-green fields and blossoming grain, Where the wild brier-rose skirts the lane, And bends above our heads the flowering locust spray.
Ha! like a kind hand on my brow Comes this fresh breeze, Cooling its dull and feverish glow, While through my being seems to flow The breath of a new life, the healing of the seas!
Now rest we, where this grassy mound His feet hath set In the great waters, which have bound His granite ankles greenly round With long and tangled moss, and weeds with cool spray wet.
Good-by to Pain and Care! I take Mine ease to-day Here where these sunny waters break, And ripples this keen breeze, I shake All burdens from the heart, all weary thoughts away.
I draw a freer breath, I seem Like all I see-- Waves in the sun, the white-winged gleam Of sea-birds in the slanting beam, And far-off sails which flit before the south-wind free.
So when Time's veil shall fall asunder, The soul may know No fearful change, nor sudden wonder, Nor sink the weight of mystery under, But with the upward rise, and with the vastness grow.
And all we shrink from now may seem No new revealing; Familiar as our childhood's stream, Or pleasant memory of a dream The loved and cherished Past upon the new life stealing.
Serene and mild the untried light May have its dawning; And, as in summer's northern night The evening and the dawn unite, The sunset hues of Time blend with the soul's new morning.
I sit alone; in foam and spray Wave after wave Breaks on the rocks which, stern and gray, Shoulder the broken tide away, Or murmurs hoarse and strong through mossy cleft and cave.
What heed I of the dusty land And noisy town? I see the mighty deep expand From its white line of glimmering sand To where the blue of heaven on bluer waves shuts down!
In listless quietude of mind, I yield to all The change of cloud and wave and wind And passive on the flood reclined, I wander with the waves, and with them rise and fall.
But look, thou dreamer! wave and shore In shadow lie; The night-wind warns me back once more To where, my native hill-tops o'er, Bends like an arch of fire the glowing sunset sky.
So then, beach, bluff, and wave, farewell! I bear with me No token stone nor glittering shell, But long and oft shall Memory tell Of this brief thoughtful hour of musing by the Sea. 1843.
Bland as the morning breath of June The southwest breezes play; And, through its haze, the winter noon Seems warm as summer's day. The snow-plumed Angel of the North Has dropped his icy spear; Again the mossy earth looks forth, Again the streams gush clear.
The fox his hillside cell forsakes, The muskrat leaves his nook, The bluebird in the meadow brakes Is singing with the brook. "Bear up, O Mother Nature!" cry Bird, breeze, and streamlet free; "Our winter voices prophesy Of summer days to thee!"
So, in those winters of the soul, By bitter blasts and drear O'erswept from Memory's frozen pole, Will sunny days appear. Reviving Hope and Faith, they show The soul its living powers, And how beneath the winter's snow Lie germs of summer flowers!
The Night is mother of the Day, The Winter of the Spring, And ever upon old Decay The greenest mosses cling. Behind the cloud the starlight lurks, Through showers the sunbeams fall; For God, who loveth all His works, Has left His hope with all! 4th 1st month, 1847.
The shadows round the inland sea Are deepening into night; Slow up the slopes of Ossipee They chase the lessening light. Tired of the long day's blinding heat, I rest my languid eye, Lake of the Hills! where, cool and sweet, Thy sunset waters lie!
Along the sky, in wavy lines, O'er isle and reach and bay, Green-belted with eternal pines, The mountains stretch away. Below, the maple masses sleep Where shore with water blends, While midway on the tranquil deep The evening light descends.
So seemed it when yon hill's red crown, Of old, the Indian trod, And, through the sunset air, looked down Upon the Smile of God. To him of light and shade the laws No forest skeptic taught; Their living and eternal Cause His truer instinct sought.
He saw these mountains in the light Which now across them shines; This lake, in summer sunset bright, Walled round with sombering pines. God near him seemed; from earth and skies His loving voice he beard, As, face to face, in Paradise, Man stood before the Lord.
Thanks, O our Father! that, like him, Thy tender love I see, In radiant hill and woodland dim, And tinted sunset sea. For not in mockery dost Thou fill Our earth with light and grace; Thou hid'st no dark and cruel will Behind Thy smiling face! 1849.
Gone hath the Spring, with all its flowers, And gone the Summer's pomp and show, And Autumn, in his leafless bowers, Is waiting for the Winter's snow.
I said to Earth, so cold and gray, "An emblem of myself thou art." "Not so," the Earth did seem to say, "For Spring shall warm my frozen heart." I soothe my wintry sleep with dreams Of warmer sun and softer rain, And wait to hear the sound of streams And songs of merry birds again.
But thou, from whom the Spring hath gone, For whom the flowers no longer blow, Who standest blighted and forlorn, Like Autumn waiting for the snow;
No hope is thine of sunnier hours, Thy Winter shall no more depart; No Spring revive thy wasted flowers, Nor Summer warm thy frozen heart. 1849.
ON RECEIVING AN EAGLE'S QUILL FROM LAKE SUPERIOR.
All day the darkness and the cold Upon my heart have lain, Like shadows on the winter sky, Like frost upon the pane;
But now my torpid fancy wakes, And, on thy Eagle's plume, Rides forth, like Sindbad on his bird, Or witch upon her broom!
Below me roar the rocking pines, Before me spreads the lake Whose long and solemn-sounding waves Against the sunset break.
I hear the wild Rice-Eater thresh The grain he has not sown; I see, with flashing scythe of fire, The prairie harvest mown!
I hear the far-off voyager's horn; I see the Yankee's trail,-- His foot on every mountain-pass, On every stream his sail.
By forest, lake, and waterfall, I see his pedler show; The mighty mingling with the mean, The lofty with the low.
He's whittling by St. Mary's Falls, Upon his loaded wain; He's measuring o'er the Pictured Rocks, With eager eyes of gain.
I hear the mattock in the mine, The axe-stroke in the dell, The clamor from the Indian lodge, The Jesuit chapel bell!
I see the swarthy trappers come From Mississippi's springs; And war-chiefs with their painted brows, And crests of eagle wings.
Behind the scared squaw's birch canoe, The steamer smokes and raves; And city lots are staked for sale Above old Indian graves.
I hear the tread of pioneers Of nations yet to be; The first low wash of waves, where soon Shall roll a human sea.
The rudiments of empire here Are plastic yet and warm; The chaos of a mighty world Is rounding into form!
Each rude and jostling fragment soon Its fitting place shall find,-- The raw material of a State, Its muscle and its mind!
And, westering still, the star which leads The New World in its train Has tipped with fire the icy spears Of many a mountain chain.
The snowy cones of Oregon Are kindling on its way; And California's golden sands Gleam brighter in its ray!
Then blessings on thy eagle quill, As, wandering far and wide, I thank thee for this twilight dream And Fancy's airy ride!
Yet, welcomer than regal plumes, Which Western trappers find, Thy free and pleasant thoughts, chance sown, Like feathers on the wind.
Thy symbol be the mountain-bird, Whose glistening quill I hold; Thy home the ample air of hope, And memory's sunset gold!
In thee, let joy with duty join, And strength unite with love, The eagle's pinions folding round The warm heart of the dove!
So, when in darkness sleeps the vale Where still the blind bird clings The sunshine of the upper sky Shall glitter on thy wings! 1849.
"The spring comes slowly up this way." Christabel.
'T is the noon of the spring-time, yet never a bird In the wind-shaken elm or the maple is heard; For green meadow-grasses wide levels of snow, And blowing of drifts where the crocus should blow; Where wind-flower and violet, amber and white, On south-sloping brooksides should smile in the light, O'er the cold winter-beds of their late-waking roots The frosty flake eddies, the ice-crystal shoots; And, longing for light, under wind-driven heaps, Round the boles of the pine-wood the ground-laurel creeps, Unkissed of the sunshine, unbaptized of showers, With buds scarcely swelled, which should burst into flowers We wait for thy coming, sweet wind of the south! For the touch of thy light wings, the kiss of thy mouth; For the yearly evangel thou bearest from God, Resurrection and life to the graves of the sod! Up our long river-valley, for days, have not ceased The wail and the shriek of the bitter northeast, Raw and chill, as if winnowed through ices and snow, All the way from the land of the wild Esquimau, Until all our dreams of the land of the blest, Like that red hunter's, turn to the sunny southwest. O soul of the spring-time, its light and its breath, Bring warmth to this coldness, bring life to this death; Renew the great miracle; let us behold The stone from the mouth of the sepulchre rolled, And Nature, like Lazarus, rise, as of old! Let our faith, which in darkness and coldness has lain, Revive with the warmth and the brightness again, And in blooming of flower and budding of tree The symbols and types of our destiny see; The life of the spring-time, the life of the whole, And, as sun to the sleeping earth, love to the soul! 1852.
I. Light, warmth, and sprouting greenness, and o'er all Blue, stainless, steel-bright ether, raining down Tranquillity upon the deep-hushed town, The freshening meadows, and the hillsides brown; Voice of the west-wind from the hills of pine, And the brimmed river from its distant fall, Low hum of bees, and joyous interlude Of bird-songs in the streamlet-skirting wood,-- Heralds and prophecies of sound and sight, Blessed forerunners of the warmth and light, Attendant angels to the house of prayer, With reverent footsteps keeping pace with mine,-- Once more, through God's great love, with you I share A morn of resurrection sweet and fair As that which saw, of old, in Palestine, Immortal Love uprising in fresh bloom From the dark night and winter of the tomb! 2d, 5th mo., 1852.
II. White with its sun-bleached dust, the pathway winds Before me; dust is on the shrunken grass, And on the trees beneath whose boughs I pass; Frail screen against the Hunter of the sky, Who, glaring on me with his lidless eye, While mounting with his dog-star high and higher Ambushed in light intolerable, unbinds The burnished quiver of his shafts of fire. Between me and the hot fields of his South A tremulous glow, as from a furnace-mouth, Glimmers and swims before my dazzled sight, As if the burning arrows of his ire Broke as they fell, and shattered into light; Yet on my cheek I feel the western wind, And hear it telling to the orchard trees, And to the faint and flower-forsaken bees, Tales of fair meadows, green with constant streams, And mountains rising blue and cool behind, Where in moist dells the purple orchis gleams, And starred with white the virgin's bower is twined. So the o'erwearied pilgrim, as he fares Along life's summer waste, at times is fanned, Even at noontide, by the cool, sweet airs Of a serener and a holier land, Fresh as the morn, and as the dewfall bland. Breath of the blessed Heaven for which we pray, Blow from the eternal hills! make glad our earthly way! 8th mo., 1852.
SUMMER BY THE LAKESIDE
I. NOON. White clouds, whose shadows haunt the deep, Light mists, whose soft embraces keep The sunshine on the hills asleep!
O isles of calm! O dark, still wood! And stiller skies that overbrood Your rest with deeper quietude!
In 'The Frost Spirit,' Whittier opens with a stark winter landscape: 'Around me all things, stark and dumb, / Seem praying for the snows to come.' The poem immediately establishes a tension between the barren present and the memory of past seasons, a pattern that recurs throughout the collection. The speaker's eye moves from withered asters and golden-rod to the 'silver birch its buds of purple shows,' grounding abstract reflection in precise natural detail. This opening section sets up a dialectic between the local—a New England autumn—and the universal, as the speaker later claims that 'he who sees his native brooks / Laugh in the sun, has seen them all.'
The Structure of Observation
The excerpt from 'The Frost Spirit' reveals a deliberate structural pattern: each stanza moves from a specific visual detail to a broader meditation. For instance, stanza II catalogs 'withered tufts of asters' and 'the boar plume of the golden-rod' before shifting to the sound of wild geese in stanza III. This movement from sight to sound, from the near to the far, mirrors the poem's central argument that the imagination can transcend physical boundaries. Whittier reinforces this by juxtaposing the 'white pagodas of the snow' with the 'summer corn' that 'has waved' in the same fields, compressing a full year into a single stanza. Readers should note how these shifts in scale—from a single flower to the 'Kosmos'—are not abrupt but mediated by the speaker's reflective voice.
The Speaker's Position
Whittier's speaker occupies a curious middle ground: he is both rooted and restless. In stanza VII, he admits ignorance of 'Syrian sands' and 'Alpine snow,' yet in stanza IX he asserts that 'he who sees his native brooks / Laugh in the sun, has seen them all.' This paradox is central to the poem's epistemology. The speaker does not claim to have traveled widely; instead, he argues that imaginative sympathy—'fancy'—can collapse distance. The phrase 'freedom-giving fancy waits, / Like Peter's angel at the gates' (stanza XI) explicitly links this power to liberation from confinement, whether of sickness or labor. This position is not naive: the speaker acknowledges the limits of his experience even as he celebrates the mind's ability to transcend them.
The Role of Literary Allusion
In stanza XII, the speaker invokes 'masters of the ancient lyre'—Bacon, Pascal, and unnamed poets—as companions in solitude. This turn to literary tradition is not mere ornament; it functions as a proof of the imagination's power. The speaker 'talks with Bacon' and 'reads the world with Pascal's eyes,' suggesting that intellectual engagement is a form of travel. The allusion to 'Persian Hafiz' in stanza IX further extends this network, linking the New England landscape to a global literary heritage. Readers should watch for how these references accumulate: they are not random but build a case for the mind's ability to summon 'the lost world back.' The poem thus becomes a demonstration of its own thesis, using allusion as a vehicle for imaginative expansion.
Rhyme and Meter as Thematic Devices
Whittier employs a consistent rhyme scheme (ABABCCDD) and iambic meter throughout 'The Frost Spirit,' but the regularity is occasionally disrupted by enjambment and varied line lengths. For example, the final couplet of stanza VI—'What songs of brooks and birds, what fruits and flowers, / Green woods and moonlit snows, have in its round been ours!'—uses a longer line to accommodate the catalog of seasonal gifts, creating a sense of abundance. Conversely, the short, clipped lines of stanza XI ('The sick man on his bed, / The toiler to his task-work bound') mirror the confinement the speaker describes. This interplay between form and content is subtle but consistent: the meter reinforces the poem's themes of constraint and release. Readers attentive to these shifts will find the poem's argument enacted in its very structure.
Approaching this collection as a first-time reader, pay particular attention to how Whittier balances the specific and the universal. The poems reward close attention to natural detail—the 'scarlet berries' of the wild-rose, the 'silver birch'—while also inviting reflection on the nature of perception itself. The later excerpts, including the Project Gutenberg front matter, remind us that these poems have been preserved as part of a larger cultural project. Let the poems' own method guide you: start with the image, then follow where the thought leads.
Reading Whittier’s frost-spun fields, I remembered an Iowa winter in my grandfather’s house, the quiet ticking of radiators. That same hush—the land holding its breath—came back in Green Fields and Running Brooks, and Other Poems — Reading Notes. Both books feel like listening at a window, watching snow cover what I’d walked yesterday. No conclusion, just that patient waiting for thaw.
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