Poems of Gerard Manley Hopkins Now First Published — A Closer Reading

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Hopkins, Gerard Manley, 1844-1889, Bridges, Robert, 1844-1930 [Editor] Project Gutenberg 2007 Not confirmed
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Reading time 140 min
Text sections 4

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This 1918 edition, edited by Robert Bridges, collects Hopkins's poems with a preface explaining his sprung rhythm. The excerpts reveal compressed syntax, coined compounds, and a shift from dense religious sonnets to lighter nature lyrics, offering a view of his experimental voice.
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That was her larkspur row.--So soon? Sphered so fast, sweet soul?--We see Nor fruit, nor flowers, nor Dorothy.

_2 Heaven--Haven A nun takes the veil_

I HAVE desired to go Where springs not fail, To fields where flies no sharp and sided hail And a few lilies blow.

And I have asked to be Where no storms come, Where the green swell is in the havens dumb, And out of the swing of the sea.

_3 The Habit of Perfection_

ELECTED Silence, sing to me And beat upon my whorled ear, Pipe me to pastures still and be The music that I care to hear.

Shape nothing, lips; be lovely-dumb: It is the shut, the curfew sent From there where all surrenders come Which only makes you eloquent.

Be shelled, eyes, with double dark And find the uncreated light: This ruck and reel which you remark Coils, keeps, and teases simple sight.

Palate, the hutch of tasty lust, Desire not to be rinsed with wine: The can must be so sweet, the crust So fresh that come in fasts divine!

Nostrils, your careless breath that spend Upon the stir and keep of pride, What relish shall the censers send Along the sanctuary side!

O feel-of-primrose hands, O feet That want the yield of plushy sward, But you shall walk the golden street And you unhouse and house the Lord.

And, Poverty, be thou the bride And now the marriage feast begun, And lily-coloured clothes provide Your spouse not laboured-at nor spun.

_4 THE WRECK OF THE DEUTSCHLAND_

To the happy memory of five Franciscan Nuns exiles by the Falk Laws drowned between midnight and morning of Dec. 7th. 1875

1 Thou mastering me God! giver of breath and bread; World's strand, sway of the sea; Lord of living and dead; Thou hast bound bones and veins in me, fastened me flesh, And after it almost unmade, what with dread, Thy doing: and dost thou touch me afresh? Over again I feel thy finger and find thee.

2 I did say yes O at lightning and lashed rod; Thou heardst me truer than tongue confess Thy terror, O Christ, O God; Thou knowest the walls, altar and hour and night: The swoon of a heart that the sweep and the hurl of thee trod Hard down with a horror of height: And the midriff astrain with leaning of, laced with fire of stress.

3 The frown of his face Before me, the hurtle of hell Behind, where, where was a, where was a place? I whirled out wings that spell And fled with a fling of the heart to the heart of the Host. My heart, but you were dovewinged, I can tell, Carrier-witted, I am bold to boast, To flash from the flame to the flame then, tower from the grace to the grace.

4 I am soft sift In an hourglass--at the wall Fast, but mined with a motion, a drift, And it crowds and it combs to the fall; I steady as a water in a well, to a poise, to a pane, But roped with, always, all the way down from the tall Fells or flanks of the voel, a vein Of the gospel proffer, a pressure, a principle, Christ's gift.

5 I kiss my hand To the stars, lovely-asunder Starlight, wafting him out of it; and Glow, glory in thunder; Kiss my hand to the dappled-with-damson west: Since, tho' he is under the world's splendour and wonder, His mystery must be instressed, stressed; For I greet him the days I meet him, and bless when I understand.

6 Not out of his bliss Springs the stress felt Nor first from heaven (and few know this) Swings the stroke dealt-- Stroke and a stress that stars and storms deliver, That guilt is hushed by, hearts are flushed by and melt-- But it rides time like riding a river (And here the faithful waver, the faithless fable and miss),

7 It dates from day Of his going in Galilee; Warm-laid grave of a womb-life grey; Manger, maiden's knee; The dense and the driven Passion, and frightful sweat; Thence the discharge of it, there its swelling to be, Though felt before, though in high flood yet-- What none would have known of it, only the heart, being hard at bay,

8 Is out with it! Oh, We lash with the best or worst Word last! How a lush-kept plush-capped sloe Will, mouthed to flesh-burst, Gush!--flush the man, the being with it, sour or sweet, Brim, in a flash, full!--Hither then, last or first, To hero of Calvary, Christ,'s feet-- Never ask if meaning it, wanting it, warned of it--men go.

9 Be adored among men, God, three-numbered form; Wring thy rebel, dogged in den, Man's malice, with wrecking and storm. Beyond saying sweet, past telling of tongue, Thou art lightning and love, I found it, a winter and warm; Father and fondler of heart thou hast wrung: Hast thy dark descending and most art merciful then.

10 With an anvil-ding And with fire in him forge thy will Or rather, rather then, stealing as Spring Through him, melt him but master him still: Whether at once, as once at a crash Paul, Or as Austin, a lingering-out sweet skill, Make mercy in all of us, out of us all Mastery, but be adored, but be adored King.

11 'Some find me a sword; some The flange and the rail; flame, Fang, or flood' goes Death on drum, And storms bugle his fame. But we dream we are rooted in earth--Dust! Flesh falls within sight of us, we, though our flower the same, Wave with the meadow, forget that there must The sour scythe cringe, and the blear share come.

12 On Saturday sailed from Bremen, American-outward-bound, Take settler and seamen, tell men with women, Two hundred souls in the round-- O Father, not under thy feathers nor ever as guessing The goal was a shoal, of a fourth the doom to be drowned; Yet did the dark side of the bay of thy blessing Not vault them, the million of rounds of thy mercy not reeve even them in?

13 Into the snows she sweeps, Hurling the haven behind, The Deutschland, on Sunday; and so the sky keeps, For the infinite air is unkind, And the sea flint-flake, black-backed in the regular blow, Sitting Eastnortheast, in cursed quarter, the wind; Wiry and white-fiery and whirlwind-swivelled snow Spins to the widow-making unchilding unfathering deeps.

14 She drove in the dark to leeward, She struck--not a reef or a rock But the combs of a smother of sand: night drew her Dead to the Kentish Knock; And she beat the bank down with her bows and the ride of her keel: The breakers rolled on her beam with ruinous shock; And canvas and compass, the whorl and the wheel Idle for ever to waft her or wind her with, these she endured.

15 Hope had grown grey hairs, Hope had mourning on, Trenched with tears, carved with cares, Hope was twelve hours gone; And frightful a nightfall folded rueful a day Nor rescue, only rocket and lightship, shone, And lives at last were washing away: To the shrouds they took,--they shook in the hurling and horrible airs.

16 One stirred from the rigging to save The wild woman-kind below, With a rope's end round the man, handy and brave-- He was pitched to his death at a blow, For all his dreadnought breast and braids of thew: They could tell him for hours, dandled the to and fro Through the cobbled foam-fleece, what could he do With the burl of the fountains of air, buck and the flood of the wave?

17 They fought with God's cold-- And they could not and fell to the deck (Crushed them) or water (and drowned them) or rolled With the sea-romp over the wreck. Night roared, with the heart-break hearing a heart-broke rabble, The woman's wailing, the crying of child without check-- Till a lioness arose breasting the babble, A prophetess towered in the tumult, a virginal tongue told.

18 Ah, touched in your bower of bone Are you! turned for an exquisite smart, Have you! make words break from me here all alone, Do you!--mother of being in me, heart. O unteachably after evil, but uttering truth, Why, tears! is it? tears; such a melting, a madrigal start! Never-eldering revel and river of youth, What can it be, this glee? the good you have there of your own?

19 Sister, a sister calling A master, her master and mine!-- And the inboard seas run swirling and bawling; The rash smart sloggering brine Blinds her; but she that weather sees one thing, one; Has one fetch in her: she rears herself to divine Ears, and the call of the tall nun To the men in the tops and the tackle rode over the storm's brawling.

20 She was first of a five and came Of a coifed sisterhood. (O Deutschland, double a desperate name! O world wide of its good! But Gertrude, lily, and Luther, are two of a town, Christ's lily and beast of the waste wood: From life's dawn it is drawn down, Abel is Cain's brother and breasts they have sucked the same.)

21 Loathed for a love men knew in them, Banned by the land of their birth, Rhine refused them. Thames would ruin them; Surf, snow, river and earth Gnashed: but thou art above, thou Orion of light; Thy unchancelling poising palms were weighing the worth, Thou martyr-master: in thy sight Storm flakes were scroll-leaved flowers, lily showers--sweet heaven was astrew in them.

22 Five! the finding and sake And cipher of suffering Christ. Mark, the mark is of man's make And the word of it Sacrificed. But he scores it in scarlet himself on his own bespoken, Before-time-taken, dearest prized and priced-- Stigma, signal, cinquefoil token For lettering of the lamb's fleece, ruddying of the rose-flake.

23 Joy fall to thee, father Francis, Drawn to the Life that died; With the gnarls of the nails in thee, niche of the lance, his Lovescape crucified And seal of his seraph-arrival! and these thy daughters And five-lived and leaved favour and pride, Are sisterly sealed in wild waters, To bathe in his fall-gold mercies, to breathe in his all-fire glances.

24 Away in the loveable west, On a pastoral forehead of Wales, I was under a roof here, I was at rest, And they the prey of the gales; She to the black-about air, to the breaker, the thickly Falling flakes, to the throng that catches and quails, Was calling 'O Christ, Christ come quickly': The cross to her she calls Christ to her, christens her wild-worn Best.

25 The majesty! what did she mean? Breathe, arch and original Breath. Is it love in her of the being as her lover had been? Breathe, body of lovely Death. They were else-minded then, altogether, the men Woke thee with a _we are perishlng_ in the weather of Gennesareth. Or is it that she cried for the crown then, The keener to come at the comfort for feeling the combating keen?

26 For how to the heart's cheering The down-dogged ground-hugged grey Hovers off, the jay-blue heavens appearing Of pied and peeled May! Blue-beating and hoary-glow height; or night, still higher, With belled fire and the moth-soft Milky Way, What by your measure is the heaven of desire, The treasure never eyesight got, nor was ever guessed what for the hearing?

27 No, but it was not these. The jading and jar of the cart, Time's tasking, it is fathers that asking for ease Of the sodden-with-its-sorrowing heart, Not danger, electrical horror; then further it finds The appealing of the Passion is tenderer in prayer apart: Other, I gather, in measure her mind's Burden, in wind's burly and beat of endragoned seas.

28 But how shall I ... make me room there; Reach me a ... Fancy, come faster-- Strike you the sight of it? look at it loom there, Thing that she ... there then! the Master, _Ipse_, the only one, Christ, King, Head: He was to cure the extremity where he had cast her; Do, deal, lord it with living and dead; Let him ride, her pride, in his triumph, despatch and have done with his doom there.

29 Ah! there was a heart right! There was single eye! Read the unshapeable shock night And knew the who and the why; Wording it how but by him that present and past, Heaven and earth are word of, worded by?-- The Simon Peter of a soul! to the blast Tarpeian-fast, but a blown beacon of light.

30 Jesu, heart's light, Jesu, maid's son, What was the feast followed the night Thou hadst glory of this nun? Feast of the one woman without stain. For so conceived, so to conceive thee is done; But here was heart-throe, birth of a brain, Word, that heard and kept thee and uttered thee outright.

31 Well, she has thee for the pain, for the Patience; but pity of the rest of them! Heart, go and bleed at a bitterer vein for the Comfortless unconfessed of them-- No not uncomforted: lovely-felicitous Providence Finger of a tender of, O of a feathery delicacy, the breast of the Maiden could obey so, be a bell to, ring of it, and Startle the poor sheep back! is the shipwrack then a harvest; does tempest carry the grain for thee?

32 I admire thce, master of the tides, Of the Yore-flood, of the year's fall; The recurb and the recovery of the gulfs sides, The girth of it and the wharf of it and the wall; Stanching, quenching ocean of a motionable mind; Ground of being, and granite of it: past all Grasp God, throned behind Death with a sovereignty that heeds but hides, bodes but abides;

33 With a mercy that outrides The all of water, an ark For the listener; for the lingerer with a love glides Lower than death and the dark; A vein for the visiting of the past-prayer, pent in prison, The-last-breath penitent spirits--the uttermost mark Our passion-plunged giant risen, The Christ of the Father compassionate, fetched in the storm of his strides.

34 Now burn, new born to the world, Doubled-natured name, The heaven-flung, heart-fleshed, maiden-furled Miracle-in-Mary-of-flame, Mid-numbered He in three of the thunder-throne! Not a dooms-day dazzle in his coming nor dark as he came; Kind, but royally reclaiming his own; A released shower, let flash to the shire, not a lightning of fire hard-hurled.

35 Dame, at our door Drowned, and among our shoals, Remember us in the roads, the heaven-haven of the Reward: Our King back, oh, upon English souls! Let him easter in us, be a dayspring to the dimness of us, be a crimson-cresseted east, More brightening her, rare-dear Britain, as his reign rolls, Pride, rose, prince, hero of us, high-priest, Our hearts' charity's hearth's fire, our thoughts' chivalry's throng's Lord.

_For the Visitors' Book at the Inn_

WHO long for rest, who look for pleasure Away from counter, court, or school O where live well your lease of leisure But here at, here at Penmaen Pool?

You'll dare the Alp? you'll dart the skiff?-- Each sport has here its tackle and tool: Come, plant the staff by Cadair cliff; Come, swing the sculls on Penmaen Pool.

What's yonder?--Grizzled Dyphwys dim: The triple-hummocked Giant's stool, Hoar messmate, hobs and nobs with him To halve the bowl of Penmaen Pool.

And all the landscape under survey, At tranquil turns, by nature's rule, Rides repeated topsyturvy In frank, in fairy Penmaen Pool.

And Charles's Wain, the wondrous seven, And sheep-flock clouds like worlds of wool. For all they shine so, high in heaven, Shew brighter shaken in Penmaen Pool.

The Mawddach, how she trips! though throttled If floodtide teeming thrills her full, And mazy sands all water-wattled Waylay her at ebb, past Penmaen Pool.

But what 's to see in stormy weather, When grey showers gather and gusts are cool?-- Why, raindrop-roundels looped together That lace the face of Penmaen Pool.

Then even in weariest wintry hour Of New Year's month or surly Yule Furred snows, charged tuft above tuft, tower From darksome darksome Penmaen Pool.

And ever, if bound here hardest home, You've parlour-pastime left and (who'll Not honour it?) ale like goldy foam That frocks an oar in Penmaen Pool.

Then come who pine for peace or pleasure Away from counter, court, or school, Spend here your measure of time and treasure And taste the treats of Penmaen Pool.

_6 The Silver Jubilee: To James First Bishop of Shrewsbury on the 25th Year of his Episcopate July 28. 1876_

1 THOUGH no high-hung bells or din Of braggart bugles cry it in-- What is sound? Nature's round Makes the Silver Jubilee.

2 Five and twenty years have run Since sacred fountains to the sun Sprang, that but now were shut, Showering Silver Jubilee.

3 Feasts, when we shall fall asleep, Shrewsbury may see others keep; None but you this her true, This her Silver Jubilee.

4 Not today we need lament Your wealth of life is some way spent: Toil has shed round your head Silver but for Jubilee.

5 Then for her whose velvet vales Should have pealed with welcome, Wales, Let the chime of a rhyme Utter Silver Jubilee.

THE world is charged with the grandeur of God. It will flame out, like shining from shook foil; It gathers to a greatness, like the ooze of oil Crushed. Why do men then now not reck his rod? Generations have trod, have trod, have trod; And all is seared with trade; bleared, smeared with toil; And wears man's smudge and shares man's smell: the soil Is bare now, nor can foot feel, being shod.

And for all this, nature is never spent; There lives the dearest freshness deep down things; And though the last lights off the black West went Oh, morning, at the brown brink eastward, springs-- Because the Holy Ghost over the bent World broods with warm breast and with ah! bright wings.

_8 The Starlight Night_

LOOK at the stars! look, look up at the skies! O look at all the fire-folk sitting in the air! The bright boroughs, the circle-citadels there! Down in dim woods the diamond delves! the elves'-eyes! The grey lawns cold where gold, where quickgold lies! Wind-beat whitebeam! airy abeles set on a flare! Flake-doves sent floating forth at a farmyard scare!-- Ah well! it is all a purchase, all is a prize.

Buy then! bid then!--What?--Prayer, patience, alms, vows. Look, look: a May-mess, like on orchard boughs! Look! March-bloom, like on mealed-with-yellow sallows! These are indeed the barn; withindoors house The shocks. This piece-bright paling shuts the spouse Christ home, Christ and his mother and all his hallows.

NOTHING is so beautiful as spring-- When weeds, in wheels, shoot long and lovely and lush; Thrush's eggs look little low heavens, and thrush Through the echoing timber does so rinse and wring The ear, it strikes like lightnings to hear him sing; The glassy peartree leaves and blooms, they brush The descending blue; that blue is all in a rush With richness; the racing lambs too have fair their fling.

What is all this juice and all this joy? A strain of the earth's sweet being in the beginning In Eden garden. Have, get, before it cloy, Before it cloud, Christ, lord, and sour with sinning, Innocent mind and Mayday in girl and boy, Most, O maid's child, thy choice and worthy the winning.

_10 The Lantern out of Doors_

SOMETIMES a lantern moves along the night, That interests our eyes. And who goes there? I think; where from and bound, I wonder, where, With, all down darkness wide, his wading light?

Men go by me whom either beauty bright In mould or mind or what not else makes rare: They rain against our much-thick and marsh air Rich beams, till death or distance buys them quite.

Death or distance soon consumes them: wind What most I may eye after, be in at the end I cannot, and out of sight is out of mind.

Christ minds: Christ's interest, what to avow or amend There, eyes them, heart wants, care haunts, foot follows kind, Their ransom, their rescue, and first, fast, last friend.

_11 The Sea and the Skylark_

ON ear and ear two noises too old to end Trench--right, the tide that ramps against the shore; With a flood or a fall, low lull-off or all roar, Frequenting there while moon shall wear and wend.

Left hand, off land, I hear the lark ascend, His rash-fresh re-winded new-skeined score In crisps of curl off wild winch whirl, and pour And pelt music, till none's to spill nor spend.

How these two shame this shallow and frail town! How ring right out our sordid turbid time, Being pure! We, life's pride and cared-for crown,

Gerard Manley Hopkins's poems, as presented in this 1918 first edition edited by Robert Bridges, immediately confront the reader with a distinctive linguistic texture. The author's preface lays out his metrical innovations, distinguishing between running rhythm and sprung rhythm, and notes that some poems are counterpointed. This technical framing sets the stage for verse that often feels compressed, with coined compounds like 'dandled diamonds' and 'blood-gush blade-gash' appearing in the excerpts. The editor's sonnet, which opens the collection, characterizes Hopkins's talent as 'rare ill-broker'd,' hinting at the unconventional nature of the work within.

Sprung Rhythm and Compressed Syntax

The preface defines sprung rhythm as measured by feet of one to four syllables, allowing for irregular stress patterns. In practice, this produces lines like 'The blue wheat-acre is underneath / And the braided ear breaks out of the sheath,' where the rhythm pushes against conventional meter. The syntax often omits articles or conjunctions, creating a dense, almost tactile quality. For instance, 'Foam-tuft fumitory' and 'laced-leaved lovely' stack modifiers without verbs, forcing the reader to slow down. This technique appears most starkly in the unfinished fragments, where phrases like 'Tatter-tassel-tangled and dingle-a-dangled' build a cumulative sonic effect.

Shifts in Voice and Pace Across the Collection

The excerpts show a marked contrast between the early sonnets and later nature lyrics. The sonnet 'The shepherd's brow fronting forked lightning' employs a grave, declarative tone: 'Man Jack the man is, just; his mate a hussy.' The pace is deliberate, each line a compressed moral judgment. In contrast, 'The Woodlark' mimics bird song with rapid, onomatopoeic bursts: 'Teevo cheetio cheevio chee.' The line lengths vary wildly, from short exclamations to longer descriptive passages, creating a sense of spontaneous flight. The moonrise poem shifts again, with a slow, meditative opening that uses enjambment to stretch the moment: 'I awoke in the Midsummer not to call night, | in the white and the walk of the morning.'

Recurring Imagery of Light, Sound, and Natural Detail

Across the excerpts, certain images recur: light filtering through surfaces, as in 'sunlight sidled, like dewdrops, like dandled diamonds / Through the sieve of the straw of the plait'; and sound as a structuring force, such as the cuckoo's call that makes 'the whole landscape flushes on a sudden at a sound.' The natural world is rendered with precise botanical and meteorological terms—'bluebells sheaved in May,' 'wind-long fleeces,' 'crush-silk poppies aflash'—that ground the abstract metrical experiments in sensory detail. These observations are not merely decorative but integral to the poems' argument about perception and divine presence.

Readers approaching this edition should attend to the interplay between the author's preface and the poems themselves, as the metrical theory often illuminates the practice. The editor's notes, which refer to page numbers and poem numbers, provide a framework for tracing revisions and variants. Because the text includes unfinished fragments and facsimile references, it rewards careful comparison between the printed words and the original manuscripts available online.

Sitting with Hopkins’ sprung rhythm again, I kept thinking of that other collection, how its quieter discussions felt like a hand resting on a shoulder. This 1918 edition holds his coiled, difficult sonnets, then opens suddenly into light—and I remembered how Poems — Context and Discussion lingered on such shifts without rushing them. It felt like watching the same weather from two windows.

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