Poems — Context and Discussion

(0 User reviews)   38
Walton, Mary Alice Project Gutenberg 2005 Not confirmed
Poetry Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 8,465
Reading time 37 min
Text sections 2

For Poems — Context and Discussion, the stored edition analysis reports 8,465 words, 37 min estimated reading time, and 2 detected text sections.

The text analysis averages about 24.0 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Poetry,” connecting these edition facts with the source record’s subject description.

Mary Alice Walton's 1910 collection of devotional poems, composed while blind, uses recurring imagery of pearls, crosses, and celestial gates to express faith tested by sorrow. The preface frames the poems as testimony, and the verse blends personal lament with hymns of hope.
Share
Editorial Edition Score 4.5/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

How this score is calculated
  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

Edition quality

Read the Text

And thought of years gone by; Then tapped on latticed windows, Heard naught only my sigh.

The house was cold and empty-- A stranger's home, they say; The voices hushed of dear ones, Loved footprints passed away.

In fancy then I peopled The place with moving life, The halls again resounded, With laughter, song and fife.

In father's arms I nestle, Caressing soft, dark hair; I beg for one more story, Or breathe my childhood's prayer.

My heart cries out, when fancy Brings mother back to me, Her loving care o'er shadows The past sweet memory.

The house now grows resplendent With joys of former scene, My brothers loved so dearly, And life a happy dream.

Our uncle, kind and tender, The cousins, buoyant, gay; My playmates calling for me, To school we his away.

Awakened from my dreaming, Time speaks of saddened years, Two-score more, and voices hushed. Flow now, ye pent-up tears!

Oh, voices hushed, where art thou? A stranger lone I stand. Good-bye, good-bye, old homestead; Farewell, sweet mystic band.

I would tell thee of Stella, how she made glad the hours, So oft calling mother with strewn wreaths and flowers, Blue eyes fondly glancing, and gleefully dance, While singing so gayly or skipping, perchance.

Then comes my son Ernest, an affectionate boy, So true and so thoughtful, never aught but a joy, E'er steady and happy, eyes earnest and clear; His dear voice so merry, methinks I still hear.

I would say of Marie, that she is very fair, With ways of a lady, and golden-waved hair; She scolds and laughs sweetly, while people all tell, With curls and long lashes, she'll yet be a belle.

Then rosy-cheeked Bertha, whose housewifely care And womanly habits call forth praises rare; Small, winsome maiden, whose large, tender heart, To blame makes thee timid, thy tears swift to start.

Tall, slender Celesta, whose spiritual face, And excelling talents could a palace well grace; Five faces so pretty, eyes brighter than gems, And hearts kind and loving is why I love them.

~My First Gray Hair.~

One day amid brown tresses there gleamed a silvery thread, Life pages, past and present I wonderingly then read. I saw a blithsome maiden, a child serenely fair, A woman heavey laden now lifts her first gray hair.

O silvery strand, thou soft kiss of time, The beauties of youth are now past, are now past. For evening of life are pleasures unknown, 'Tis love, only love, that will last, that will last.

Upon the shadowy threshold the small gray strand did lay, And told the old, old story of ever changing day; Within the mystic portals of life's near ending stream I stood and pondered vaguely, if death were but a dream.

I viewed the snow-white message and thought of bygone years, The hopes, the waging conflicts, joys mingled oft' with tears. Tell me, thou thing of pearl hue, what will the future greet? Will paths be strewn with roses, or thistles tear my feet?

A whisper floated near me in accents sweet and low, "My child, what'er thy portion, if tares for thee will grow, Thy soul keep pure and stainless, a crown thy brow shall wear, 'Twill shine with whitest tresses, that once was nut-brown hair."

~Life's Curtain Unrolled.~

Glad boyish voices with merriment ring, Two children with nought, as gayly they sing Of burdensome care, their hearts as the bird To mountains oft' soar in freedom, unstirred By future, and what it furtively brings Of pleasures, or grief, or life's bitter stings. The shadowed cross e'er failing to see, Thoughts flitting as bubbles on oft' changing sea.

From childhood spring youths with fair open brows, Surrounded by all earth ever allows Of conquering fame, while life's deepest charm They sip from the fount of love's laden balm. Of treasures untold to reap they aspire, At vanity's fair rich harvests acquire, Over this vision in mystery toss, A shadow that lifts, unveiling a cross.

In wonder they gaze at spectre so white, As softly it beams in silvery light, 'Mid silence it pleads--they pause all aghast-- 'Tis Jesus who calls, His Cross in their path, Cross misty with tears, with sacrifice fraught, While deeply inlaid with sorrows 'tis wrought, Divided from world by widening stream It leadeth through pain earth's conquests a gleam.

Shall I? Shall I not? Self-questioned each youth, Take up this Cross all laden with truth? Shall lingering fear of poverty's vale, The scoffing of friends if honors should fail, Bar us accepting a promise of love By way of the Cross--the gift from above? Silently each life's curtain unfurled, One bends to his Cross, one flees to the world.

Two pictures are drawn on life's beaten page, The faces once seen have ripened with age; The purpose of each, their loved ones a dower, And conflicts of life are wielding with power. Surfeited was one with all earthly lusts, His soul he'ed surrendered to prince of earth's trusts; One bearing a Cross, e'er toiling for right, Walking with Jesus in spirit waxed bright.

There's pictured again in oft' changing scene, A tottering form appears in the dream, Furrowed his face from indulgence in sins, Eternity lost, to gold fondly clings. He'd bartered his soul a few years to live, And sinking the grave has nothing to give, Unloved and embittered e'en cross once refused, Gleamed sadly through mists then slowly withdrew.

Our vision once more life's curtain unrolled, And walked beside one with jewels untold, Unfurrowed his brow though whitened the hair, Eternally blest when freed earthly care. The cross he'd accepted oft' riven in tears, And humble his walk through life's fleeting years, Had given sweet peace as only those know Who've tasted of wealth Christs' love doth bestow.

On starlit height, distant 'gainst horizon, bright The Way of the Cross is outlined, By rocky steeps barren 'mid dangers unseen, A narrow straight pathway doth wind. The sighing winds whisper of sacrifice, toil, And foot-prints where pilgrims have trod Are crimson and tear-washed, where fissures are rent Wierd spirits of pain flit abroad.

A woman in sadness e'er watching this Cross Revealed in the morn of her life, To travel o'er mountains alone through the storm Means suffering and wearisome strife. 'Mid pitfalls of doubtings and barriers high, A valley called Vale of Delight, Appears to her vision, its beauties aglow With charms all alluring to sight.

Its meadows are tinted by golden-hued lights, Unruffled its waters, they chime With harmonic singing, while world-wedded dance To musical rhythm and time. Red wine floweth freely, with jingle of gold Jests mingle with laughter so gay, In Vale of Delight merry banquets and balls Turn quickly the night into day.

The woman enraptured by dazzling display-- Yet holiness loveth and right-- Back to the mountains she turneth her gaze, There gleaming through mists beyond heights, Is glittering sheen of sparkling gemmed spires, A city of pearls beyond steeps; But Calvary's Cross is path to its gate, In sorrow she bitterly weeps.

In Vale of Delight seems earthly repose, And freedom from sorrow and pain; But pleadings of Jesus appeal to her heart, In City of Lovelight doth reign. His spirit so gentle o'er floweth with good, With kindliest tokens of love; The promise He giveth beyond vale of tears-- Eternal abiding above.

To City of Holies she pleads with her Lord, Help me in Thy mercy come in; Keep me from slipping o'er precipice deep, Laid for all in Valley of Sin. Then journey to Starworld she finds full of thorns, Sore-pressed on the way by life's care, Till crieth she, "Saviour, though saving Thy Cross, Its burdens most grievous to bear".

Life's duties demanding a sacrificed heart By trials hedged on either side, Yet beauty of holies celestial with love, I long for thee what e'er betide. Her Saviour upholding, foes dropping by way, She trustingly presses her flight, When sin all surrendered and laid upon Cross In peace with Christ enters Lovelight.

We are told of a beautiful land of love, Of bright jeweled mansions in blue skies above; Of mansions that glitter with diamonds and gold; While air of sweet odors their fair walls enfold, Of heavenly music, soft, thrilling, divine, Fountains that sparkle, and bright suns that shine, Birds of gay plumage with song fill the air, Flowers all lovely and crowns with gems rare.

All this we are told and many things more, Of Heaven's fair Jordan, an evergreen shore; Its golden gates ever are standing ajar, Where fall huge burdens we have carried so far; Shining-robed angels there welcome us home, Joyously lead us through fair fields to roam; Heaven alive with sweet praises shall ring, We bow at the throne of our Saviour and King.

Blessings there are bestowed just suited to all, No more vain regrets, no more tears to fall, No hearts there to ache, no sins to repent, No leaving of friends, nor wrongs to resent, No asking of bread to be given a stone, No needle-worn fingers that ache to the bone, From this fair land all life's cares have flown, Queen happiness reigns and love is her crown.

~For I Long to be There.~

Dear Father in Heaven, to Thee I would raise A petition, and speak to Thy bountiful praise. At Thy throne of grace I would offer one prayer: Take me to Thyself, for I long to be there.

Dear Saviour, I plead, Thou art tender and kind, O'er flowing with love, for me Thou canst find A safe resting place, that is free from all care; Press me to Thy heart, for I long to be there.

Fair angels of light, who with melodies sweet Make beautiful homes a celestial retreat, In happiness pure, a full part I would share, I'd come to your home, for I long to be there.

While pleasures are few and hope but a name, While worldliness reigns o'er all things the same, Our joys are in dreams of bright Eden fair, I'd flee to Thy rest, for I long to be there.

I am weary of life, the burdened-filled day, On the echoless shore in peace I would stray, Forgetting all sorrow for Christ will it bear, O take me to Jesus, for I long to be there.

Sometime the golden gates will lift, I know not how nor when 'twill be, My soul, the one immortal gift, Will stand beside the changeless sea.

Lift up, ye gates, ye golden gates, A soul would come before the throne; Lift up, ye gates, ye golden gates, Ring out, O bells, in rapturous tone.

Sometime this poor world's light will fade, I'll walk alone the unknown way, But Christ my sins long since hath paid, My home was purchased Easter day.

Sometime the silver cloud will break, While glory pure my spirit thrills, We'll see our friends, the crystal lake, Rest in sweet peace by love-lit rills.

Sometime my cross a crown will prove, Sometime my tears will jewels be, Sometime all doubts Christ will remove-- Blest be the time, eternity!

Ring out, oh, ye bells, in soft measured chime, Sweet melodies breathe in rythmetric rhyme, The murmuring winds bring song from afar, For one we have loved is crossing the bar.

Ring gently, ye bells, the soul on its way, Would not be disturbed by discordant lay; In peace it would stem the river that flows O'er rocks crimsoned by humanity's woes.

Ring slowly, Oh, bells, death's pitiless dream Rolls eagerly on, a maddening stream; The sufferer sighs for a haven of rest. And longs to be borne to homes for the blest.

Ring thoughtfully, bells, a prayer would ascend To Father of love, this soul to befriend. While waiting, a voice is waft o'er the sea-- "Hast heard of a Christ? He speaks--I am He."

Ring peacefully, bells, the wanderer soothe, In lullaby song, as in cradle of youth; No whispering doubts, no question of whence, Outpouring to mar, of love calling hence.

Ring joyfully, bells, no tempests now toss-- The Valley of Death is lit by a Cross. Ring glad happy strains of love's richest song, Our dear one has fled with a heavenly throng.

~The Ministering Soul.~

On Canaan's fairest borders, in thought, I seemed to stand, I'd left my broken palace for this long-wished-for land. On earth for me they're mourning, friends weeping sad and low, It seemed the bells were sobbing, my joy there none could know.

Most Gracious King, One Lord in Three, All Heaven in anthems rung, Hosanna, praise, triumphantly, Rejoice for the lost Christ won.

On earth, loved ones were sighing around my vacant chair, Our risen Lord forgetting, smiles turn to lines of care; In Heaven the waves of gladness, from gate to gate doth roll, And Christ now changed my spirit into a ministering soul.

From beauties of Christ's kingdom, I came to earth by night, To mine I whispered comfort, breathed of celestial light; I hovered near the aged, who sorrowed till the end, And soothed the restless slumbers of those who knew no friend.

Into the lowly dwellings, where mother's cheeks grew pale, I kissed the fading forehead, and hushed the infant's wail; The wrath of men appeasing, to weary laborers gave A greeting smile, and told them Christ came on earth to save.

Moan not, O bells, but joyous ring out your Christian souls, Eternity, all wondrous, brightly to them unfolds; From death to life their changing, let glorias float afar, Our loved, our lost, are watching, within the gates ajar.

The home of my soul, worn and weary, And pierced by the rocks of old time, The windows grown dim and the key-boards Were mute to the wind's whispered chime. The pillars were trembling; the pitcher Was full to the brim, running o'er With burdens, hurled oft' at the fountain, And closed were the gates evermore.

Old castle of hopes and of tempests, I bid thee a loving adieu, Thou sheltered me oft' from the cloud-bursts, The winds blowing fiercely on you. My soul now arises on pinions, And wings through terrestial space, By planets all gleaming with starlight, I stand with my Lord, face to face.

O, Master, I cry, the old temple, Thou gavest on earth passed away, I come to thee houseless, unsheltered, Hast room in Thy mansion to-day? I left Mother Earth in the night-watch, And travelled alone to thy gate, Hast mercy for me, dearest Master, Do I plead for thy pardon too late?

Dear Master, sore trials beset me, My feet slipping oft' by the way, Temptations and doubt, overwhelming, From Thee, led me often astray. My cross was oft' covered with roses, Just hiding the sly, cruel thorn, My homestead built out of dust only, Has crumbled; to-day I am born.

Just born in the light of thy kingdom, Hast house in thy domain to give? A homestead to fill with the loved ones, Where with Thee in peace we may live. I know that my spirit is earth-stained, I'd wash it in yon flowing stream, I've come, oh my Saviour, all broken, Are hopes to be only a dream?

He turned with a look of compassion, His voice, as sweet waters and low, My child, I've a palace built for thee, Which time nor rude winds can o'erthrow. I've watched thee in all of thy wanderings, E'en when thy homestead of clay fell; I list for thy knock at our portals, Heard thee faintly ask, "Is all well?"

When doubts have assailed, I would press thee, In sorrow, stood oft' by thy side; I've quelled maddened waves as they dashed thee, Soul, ring heaven's bells and abide. Thy footsteps shall fall in soft places, And by mirrored waters can'st roam; Thy kindred, thy Father, shall greet thee, To peace, beauty, love,--welcome home.

Father, before Thee I am kneeling In gratitude and love, Sad, weary years I sought, appealing For succor from above. My cries seemed wild as unavailing Before Thy chastening rod, My spirit in the strife oft failing To trust Thee, O my God!

When floods of sorrow o'er me sweeping, Thy hand I could not see; Then Thou, when heart and strength were yielding, Bade me to cling to thee. Strength from Thy promise gave endurance To stem, to cross the flood; I thank Thee; rest in blest assurance Of Jesus' cleansing blood.

Mary Alice Walton's Poems (1910) opens with a preface that is itself a piece of testimony: the author states the booklet was composed while ill and either blind or nearly so, offered to strengthen faith in God. The poems that follow are not abstract meditations but specific responses to physical affliction and loss. Walton describes her life as 'more than filled by the disciplinarian, sorrow,' and the verse repeatedly returns to images of blindness, waiting, and the tactile comfort of a cross 'covered o'er with pearls of prayer.' The collection's structure—moving from lament to longing to assurance—mirrors a spiritual journey shaped by hardship.

Diction of Affliction and Consolation

Walton's word choices consistently pair physical suffering with spiritual reward. In 'The Solitary Lament,' she writes of eyes 'ever closed by day and by night' and a speaker who is 'helpless and blind.' Yet the same poem introduces a 'small ray of sun' as a daily visitor, a precise detail that anchors the abstract in the sensory. The cross is described as 'with pearls and gems inlaid,' where each pearl was 'once a tear, / Repentant sighs, a hope, a fear.' This metaphor transforms pain into ornament, a recurring verbal strategy. Elsewhere, 'The Land of Love' lists what is absent—'No hearts there to ache, no sins to repent'—using negation to define heaven by earthly lacks. The diction is plain but deliberate, favoring concrete nouns (tears, pearls, gates, rills) over abstraction, which gives the poems a tactile quality despite their otherworldly subjects.

Voice Between Lament and Hymn

The poems shift between a personal, grieving voice and a communal, hymn-like tone. 'The Solitary Lament' is intensely first-person: 'I shed bitter tears, / Wearily waiting these many long years.' The speaker's isolation is emphasized by the line 'they've taken my children away from their home,' a specific loss that resists generalization. In contrast, 'Golden Gates' adopts a choral structure with a repeated refrain—'Lift up, ye gates, ye golden gates'—and uses 'we' and 'our' to include the reader in a shared hope. 'Hope Beyond' addresses bells directly ('Ring out, oh, ye bells'), a device that distances the speaker from immediate pain. This alternation between solitary complaint and collective praise suggests a deliberate rhetorical movement: the poet models how personal grief can be reframed as worship. The preface's claim that the poems were written 'to strengthen faith' is borne out by this structural choice.

Recurring Images of Light and Vision

Given the author's blindness, it is striking how often the poems invoke light, sight, and visual detail. 'The Solitary Lament' describes eyes that 'have lingered on objects of light' and a sunbeam that 'gladly doth run' across the speaker's face, bringing 'news of the weather and time.' This is not mere convention; it is a precise observation of what a blind person might still perceive—warmth, movement, the passage of daylight. In 'The Land of Love,' heaven is depicted with 'bright jeweled mansions,' 'fountains that sparkle,' and 'bright suns that shine.' The visual richness of these descriptions contrasts with the speaker's earthly darkness, creating a tension that is never fully resolved. 'Golden Gates' imagines a moment when 'this poor world's light will fade,' but the fading is not feared; it is the prelude to seeing 'the crystal lake.' Walton uses light as both a literal absence and a promised presence, a duality that gives the poems their emotional weight.

Structure as Spiritual Progression

The sequence of poems follows an implicit arc from suffering to anticipation to rest. Early poems like 'The Solitary Lament' and 'Under the Rod' dwell on present pain and divine testing. Middle poems such as 'The Cross of Pearls' and 'The Land of Love' shift toward consolation and heavenly reward. Later poems—'For I Long to be There,' 'Golden Gates,' 'Hope Beyond'—express a yearning for death as release. This progression is not strictly linear; 'The Cross of Pearls' appears first in the table of contents but its theme of transformation (tears into pearls) echoes throughout. The final poem, 'Peace,' likely concludes the collection with a note of resolution. Walton's preface describes being 'brought through the fire with unshaken faith,' and the arrangement of the poems mirrors that journey. Readers may notice how the same images—cross, pearls, gates, tears—recur with accumulating meaning, creating a cohesive devotional arc rather than a random gathering of verses.

Walton's Poems rewards attention to its small, precise details: the sunbeam that visits daily, the cross 'kissed' to inlay a pearl, the bells rung in 'soft measured chime.' These are not ornamental but structural, anchoring spiritual longing in physical experience. The collection is brief—fewer than 9,000 words—and can be read in a single sitting, but its patterns of imagery and voice invite rereading. The preface warns that the poems were composed under extreme duress, and the verse itself bears witness to that constraint, turning limitation into a disciplined art of hope.

Reading these pearls and crosses, I remembered sitting with my grandmother, her Bible open to the same worn verses. She’d lost her sight too, yet spoke of light. Later, I found that same quiet fortitude in The Complete Poems of Paul Laurence Dunbar — Context and Discussion; his dialect poems hummed with a similar, stubborn hope beneath the sorrow. Both voices felt like old friends.

There are no reviews for this eBook.

0
0 out of 5 (0 User reviews )

Add a Review

Your Rating *
  • ...
    Rebecca James Cervantes - 2 weeks ago
    {'review_type': 'neutral', 'text': "A consistent collection with several fine pieces that highlight the poet's skill. However, a few poems feel overly abstract, making them hard to connect with. Still, fans of modern poetry will find much to appreciate here."}

  • ...
    Ernest Riley - 2 weeks ago
    {'review_type': 'positive', 'text': "This eighth collection showcases the poet's mastery at its peak. Each poem is a gem, blending raw emotion with meticulous craft. The themes are diverse, yet unified by a strong voice that speaks directly to the human soul. A powerful and moving read that leaves a lasting impression."}

  • ...
    Alexander Parks - 1 week ago
    {'review_type': 'negative', 'text': 'Despite the promise, this collection feels disjointed and self-indulgent. The language often prioritizes sound over meaning, leaving the reader puzzled. A few strong poems are lost among many that feel like unfinished drafts.'}


Reader reflection

Before you leave, reflect on the book

Use these questions to collect your thoughts before moving on.

Your progress 0 / 10
1

Have you finished this book?

2

Was reading this book enjoyable?

3

Would you recommend this book to another reader?

4

How much effort did this book require?

Related eBooks