Revised Edition of Poems — Themes and Context
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rents, poor and low— So furrowed and so hoary— It makes our very hearts to burn To think that “man was made to mourn,” And tell the sad, sad story.
You brought me back to days bygone, When glad its banks I strolled upon, The river Doon so bonnie; The roofless kirk and yard so green, Where many a tombstone may be seen, With Tam and Souter Johnnie.
And when ye spake of yond bright star That lingers in the lift afar, Where Burns was never weary Of gazing on the far-off sphere, Where dwells his angel lassie dear— His ain sweet Highland Mary!
But here my Muse its wings may lower; Such flights are far beyond its power; So I will stop the jingle. Sir, I am much obliged to you, And I am much indebted to The Choir and Mr. Pringle.
[Picture: Picture of bowl of fruit]
What profits me tho’ I sud be The lord o’ yonder castle gay; Hev rooms in state to imitate The princely splendour of the day For what are all my carvéd doors, My chandeliers or carpet floors, No art could save me from the grave.
What profits me tho’ I sud be Decked i’ costly costumes grand, Like the Persian king o’ kings, Wi’ diamond rings to deck my hand: For what wor all my grand attire, That fooils both envy and admire, No gems could save me from the grave.
What profits me tho’ I sud be Thy worthy host, O millionaire, Hev cent. for cent. for money lent; My wealth increasing ivvery year. For what wor all my wealth to me, Compared to immortality, Wealth could not save me from the grave.
What profits me tho’ I sud be Even the gert Persian Shah, My subjects stand at my command, Wi’ fearful aspect and wi’ awe; For what wor a despotic rule, Wi’ all the world at my control, All could not save me from the grave.
From the red fields of gore, ’midst war’s dreadful clang, I hear a sad strain o’er oceans afar: Oh, shame, shame upon you, ye proud men of England, Whose highest ambition is rapine and war! Through your vain wickedness Thousands are fatherless, False your pretensions old Egypt to save; Arabs with spear in hand Far in a distant land Made our brave Gordon a sad and red grave.
On Nile’s sunny banks, with the Arab’s great nation, Brave Gordon was honoured and worshipped by all, The acknowledged master of the great situation, Until England’s bondholders caused Egypt to fall. Another great blunder, Makes the world wonder, Where is Britannia’s sword, sceptre and shield? War and disaster Come thicker and faster, Oh, for the days of the Great Beaconsfield!
Oh, Great Beaconsfield! the wise and the clever, When will thy place in our nation be filled? Britannia’s shrill answer is never, oh never, My Beaconsfield’s dead, and my Gordon is killed! Oh, blame not my foemen Or a Brutus-like Roman, Or Soudanese Arabs for Gordon’s sad doom; But blame that vain Briton Whose name is true written, The slayer of Gordon, who fell at Khartoum.
[Picture: Crest of arms]
The Earl of Beaconsfield.
I sing no song of superstition, No dark deeds of an Inquisition, No mad-brain’d theme of wild ambition, For lo, their doom is sealed! But I will use my best endeavour, To praise the good, the wise, the clever, Who will remember’d be for ever, The Earl of Beaconsfield.
When England was without alliance, He bid the Russians bold defiance, On Austria had no reliance In either flood or field; He proudly sent to Hornby message, The Dardanelles! go force the passage In spite of Turkey, Bear, or Sausage, The dauntless Beaconsfield!
At Berlin, he with admiration Was gazed upon by every nation, And, master of the situation, Vow’d Britons ne’er would yield. For I am here, you may depend on’t, This Eastern brawl to make an end on’t, To show both plaintiff and defendant I’m Earl of Beaconsfield!
Britannia now doth weep and ponder, Bereaved of him, her child of wonder, No earthly power could break asunder His love for England’s weal. And now those locks once dark as raven (For laurel leaves ne’er deck’d a craven) Wear a laurel crown in Heaven, Glorious Beaconsfield!
[Picture: Picture of house in trees]
Come, Nivver Dee i’ Thi Shell.
“Come, nivver dee i’ thi shell, owd lad,” Are words but rudely said; Though they may cheer some stricken heart, Or raise some wretched head; For they are words I love mysel, They’re music to my ear; They muster up fresh energy An’ chase each doubt an’ fear.
Nivver dee i’ thi shell, owd lad, Though tha be poor indeed; Ner lippen ta long i’ th’ turnin’ up Sa mich ov a friend in need; Fur few ther are, an’ far between, That help a poor man thru; An’ God helps them at help therseln, An’ they hev friends enew.
Nivver dee i’ thi shell, owd lad, Whativver thi creditors say; Tell um at least tha’rt foarst ta owe, If tha artant able ta pay; An’ if they nail thi bits o’ traps, An’ sell tha dish an’ spooin; Remember fickle forten lad, Shoo changes like the mooin.
Nivver dee i’ thi shell, owd lad, Though some may laugh an’ scorn; There wor nivver a neet afore ta neet, Bud what ther’ com a morn; An’ if blind forten used tha bad, Sho’s happen noan so meean; Ta morn al come, an’ then fer some The sun will shine ageean.
Nivver dee i’ thi shell, owd lad, Bud let thi motto be,— “Onward!” an’ “Excelsior;” An’ try for t’ top o’t’ tree: An’ if thi enemies still pursue, Which ten-ta-one they will, Show um owd lad, tha’rt doin’ weel, An’ climin’ up the hill.
So Mary, lass, tha’rt bahn to wed It mornin’, we young Blacksmith Ned, An’ though it maks thi mother sad, It’s like to be; I’ve nowt ageean yond dacent lad, No more ner thee.
Bud let me tell tha what ta due, For my advise might help tha thru; Be kind, and to thi husband true, An’ I’ll be bun Tha’ll nivver hev a day ta rue For owt that’s done.
Nah, try to keep thi former knack, An’ du thi weshin’ in a crack, Bud don’t be flaid to bend thi back, Tha’ll nobbut sweeat; So try an’ hev a bit o’ tack, An’ du it neeat.
Be sure tha keeps fra bein’ a flirt, An’ pride thysel i’ bein’ alert,— An’ mind ta mend thi husband’s shirt, An’ keep it cleean; It wod thi poor owd mother hurt, If tha wur meean.
Don’t kal abaht like monny a wun, Then hev to broil, an’ sweeat, an’ run; Bud alus hev thi dinner done Withaht a mooild; If it’s nobbut meil, lass, set it on, An’ hev it boiled.
Now Mary, I’ve no more ta say— Tha gets thi choice an’ tak thi way; An’ if tha leets to rue, I pray, Don’t blame thi mother: I wish yeh monny a happy day Wi wun another.
T’owd Blacksmith’s Advice ta hiz Son Ned.
So, Ned, awm geen ta understand, Tha’rt bahn ta join i’ wedlock band, Ta travil thru life’s weeary strand, Yond lass an’ thee; But if yer joinin’ heart an’ hand, It pleases me.
Nah tha’ll hev trubbles, Ned, ta bear, While pushin’ thru this world o’ care, An’ wat tha’ll hev it face ta stare, It’s hard ta tell; Life’s ups and dahns tha’ll get ta share, So pleas thisel’.
Tha’rt weel an’ strong, long may it last; But age an’ care creep on us fast; Then act az tha can luke at t’past An’ feel no shaam; Then if tha’rt poor az sum ahtcast, Tha’rt noan ta blame.
Doant sport abaht an’ wagers bet, But mind an’ shun that foolish set At cannut mak ther awn ta fet, Though shaam to say it. An’ mind tha keeps fra bein’ i’ debt, An’ tha’ll be reight.
Nah stick fast hod o’ iron will; Push boldly on an’ feear no ill; Keep Him i’ veiw, whoa’s mercies fill The wurld sa wide. No daht but His omnishent skill Al be thi guide.
So Ned, mi lad, tak this advice, Prove worthy o’ yond lass’s choice, I’ years ta cum tha may rejoice Tha tuke her hand; An’ listened ta thi father’s voice, An’ his command.
Th’ Furst Pair o’ Briches.
Aw remember the days o’ mi bell-button jacket, Wi’ its little lappels hangin’ down ower mi waist, An’ mi grand bellosed cap,—noan nicer I’ll back it,— Fer her at hed bowt it wur noan withaht taste; Fer shoo wur mi mother an’ I wur her darling, An often shoo vowed it, an’ stroked dahn mi hair, An’ shoo tuke ma to see her relashuns i’ Harden It furst Pair o’ Briches at ivver aw ware.
Aw remember the time when Aunt Betty an’ Alice Sent fer me up to lewk at mi cloas, An aw wauked up as prahd as a Frenchman fra Calais, Wi’ mi tassel at t’side—i’ mi jacket a rose. Aw sooin saw mi uncles, both Johnny an’ Willy, They both gav me pennies, an’ off aw did steer: But aw heeard um say this, “He’s a fine lad is Billy,” It furst Pair o’ Briches at ivver aw ware.
Aw remember t’ time at ahr Robin and Johnny Wur keeping their hens an’ ducks i’ t’ yard, Tha wur gamecocks an’ bantams, wi’ toppins so bonny, An’ noan on um mine—aw thowt it wur hard. But aw saved up mi pennies aw gat fer mail pickin’, An’ sooin gat a shilling by saving it fair, Aw then became maister at least o’ wun chicken, It furst Pair o’ Briches at ivver aw ware.
Aw remember wun Sabbath, an’ t’sun it wor shining, Aw went wi’ mi father ta Hainworth ta sing; An’ t’stage wur hung raand wi’ bottle-green lining; And childer i’ white made t’ village ta ring. We went ta owd Meshach’s that day ta wur drinkin’, Though poor, tha wur plenty, an’ summat ta spare; Says Meshach, “That lad, Jim, is just thee, aw’m thinking, It furst Pair o’ Briches at ivver tha ware.”
Now them wur the days o’ grim boggards and witches, When Will-o’-the-wisp cud be seen in the swamp, But nah are the days o’ cheating fer riches, An’ a poor honest man is classed wi’ a scamp. Yes, them wur the days at mi mind worrant weary; O them wur the days aw knew no despair; O give me the time o’ the boggard an’ fairy, Wi’ t’ furst Pair o’ Briches at ivver aw ware.
Ah! them wur the days aw sall allus remember, Sud aw just as owd as Mathusalah last; Them wur mi March days, but nah it’s September: Ne’er to return again—them days are past. But a time aw remember aboon onny other, Aw kneeled o’ mi knees an’ sed the Lord’s Prayer; Aw sed “God bless mi father, an’ God bless mi mother,” It furst Pair o’ Briches at ivver aw ware.
O Welcome, Lovely Summer.
O welcome, lovely summer, Wi’ thi golden days so long, When the throstle and the blackbird Do charm us wi’ ther song; When the lark in early morning Takes his aerial flight; An’ the humming bat an’ buzzard Frolic in the night.
O! welcome, lovely summer, With her rainbow’s lovely form; Her thunner an’ her leetnin’, An’ her grandeur in the storm: With her sunshine an’ her shower, An’ her whirlin’ of the dust, An’ the maiden with her flagon, To sleck the mower’s thirst.
O! welcome, lovely summer, When the woods wi’ music ring, An’ the bees so heavy laden, To their hives their treasures bring: When we seek some shady bower, Or some lovely little dell, Or, bivock in the sunshine, Besides some cooling well.
O! welcome, lovely summer, With her roses in full bloom; When the cowslaps an’ the laalek Deck the cottage home; When the cherry an’ the berry Give a grandeur to the charm; And the clover and the haycock Scent the little farm.
O! welcome, lovely summer, Wi’ the partridge on the wing; When the tewit an’ the moorgam, Up fra the heather spring, From the crowber an’ the billber, An’ the bracken an’ the whin; As from the noisy tadpole, We hear the crackin’ din. O! welcome, lovely summer.
Go bring that tuther whisky in, An’ put no watter to it; Fur I mun drink a bumper off, To Scotland’s darlin’ poet.
It’s just one hunderd year to-day, This Jenewarry morn, Sin’ in a lowly cot i’ Kyle, A rustic bard wur born.
He kittled up his muirland harp, To ivvery rustic scene; An’ sung the ways o’ honest men, His Davey an’ his Jean.
There wur nivver a bonny flaar that grew Bud what he could admire; There wur nivver lovely hill or dale That suited not his lyre.
At last owd Coilia sed enough, Mi bardy thah did sing, Then gently tuke his muirland harp, And brack it ivvery string.
An’ bindin’ up the holly wreath, Wi’ all its berries red, Shoo placed it on his noble brow, An’ pensively shoo said:—
“So long as Willies brew ther malt, An’ Robs and Allans spree; Mi Burns’s songs an’ Burns’s name, Remember’d they shall be.”
Waiting for t’ Angels.
Ligging here deead, mi poor Ann Lavina, Ligging alone, mi own darling child, Just thi white hands crost on thi bosom, Wi’ features so tranquil, so calm, and so mild.
Ligging here deead, so white an’ so bonny, Hidding them eyes that oft gazed on mine; Asking for summat withaht ever speaking, Asking thi father to say tha wur fine.
Ligging here deead, the child that so lov’d me, At fane wod ha’ hidden mi faults if shoo could; Wal thi wretch of a father despairin’ stands ower tha, Wal remorse and frenzy are freezin’ his blood.
Ligging here deead, i’ thi shroud an thi coffin, Ligging alone in this poor wretched room; Just thi white hands crossed ower thi bosom, Waiting for t’angels to carry tha home.
The Lass o’ Newsholme Dean.
[Having spent the whole of the afternoon in this romantic little glen, indulging in pleasant meditations, I began to wend my way down the craggy pass that leads to the bonny little hamlet of Goose Eye, and turning round to take a last glance at this enchanting vale—with its running whimpering stream—I beheld the “Lass o’ Newsholme Dean.” She was engaged in driving home a Cochin China hen and her chickens. Instantaneously I was seized with a poetic fit, and gazing upon her as did Robert Tannyhill upon his imaginary beauty, “The Flower of Dumblane,” I struck my lyre, and, although the theme of my song turned out afterwards to be a respectable old woman of 70 winters, yet there is still a charm in my “Lass o’ Newsholme Dean.”]
Thy kiss is sweet, thy words are kind, Thy love is all to me; Aw couldn’t in a palace find A lass more true ner thee: An’ if aw wor the Persian Shah, An’ thee mi Lovely Queen, The grandest diamond i’ mi Crown Wor t’ lass o’ Newsholme Dean.
The lady gay may heed tha not, An’ passing by may sneer; The upstart squire’s dowters laugh, When thou, my love, art near; But if all ther shinin’ soverins War wared o’ sattens green, They mightn’t be as handsome then As t’ Lass o’ Newsholme Dean.
When yellow autumn’s lustre shines, An’ hangs her golden ear, An’ nature’s voice fra every bush Is singing sweet and clear, ’Neath some white thorn to song unknown, To mortal never seen, ’Tis there with thee I fain wad be, Mi Lass o’ Newsholme Dean.
Od drat, who cares fur kings or queens, Mix’d in a nation’s broil, They nivver benefit the poor— The poor mun ollas toil. An’ thou gilded spectre, royalty, That dazzles folks’s een, Is nowt to me when I’m wi thee, Sweet Lass o’ Newsholme Dean.
High fra the summit o’ yon’ crag, I view yon’ smooky town, Where forten she has deigned to smile On monny a simple clown: Though free fra want, they’re free fra brains; An’ yet no happier I ween, Than this old farmer’s wife an’ hens, Aw saw i’ Newsholme Dean.
[The happiest moments of a soldier in times of peace are when sat round the hearth of his neat little barrack room, along with his comrades, spinning yarns and telling tales; sometimes giving the history of some famous battle or engagement in which he took a prominent part; other times he will relate his own love adventures; then the favourite of the room will oblige them with his song of “Nelson” or “Napoleon” (generally being the favourites with them);—then there is the fancy tale teller, who amuses all. But in all cases the teller of a tale, yarn, or story, makes himself the hero of it, and especially when he speaks of the lass he left behind him; hence this adventure with the “Lassie by the Well.”]
There was a bonny Lassie once Sitting by a well— But what this bonny Lassie thought I cannot, cannot tell— When by there went a cavalier Well known as Willie Wright, Just in full marching order, His armour shining bright.
“Ah maiden, lovely maiden, why Sits thou by the spring? Dost thou seek a lover, with A golden wedding ring? Or wherefore dost thou gaze on me, With eyes so bright and wide? Or wherefore does that pitcher lay Broken by thy side?”
“My pitcher it is broken, sir, And this the reason is, A villian came behind me, An’ he tried to steal a kiss. I could na take his nonsense, So ne’er a word I spoke, But hit him with my pitcher, And thus you see ’tis broke.”
“My uncle Jock McNeil, ye ken Now waits for me to come; He canna mak his Crowdy, Till t’watter it goes home. I canna tak him watter, And that I ken full weel, And so I’m sure to catch it,— For he’ll play the varry de’il.”
“Ah maiden, lovely maiden, I pray be ruled by me; Smile with thine eyes and ruby lips, And give me kisses three. And we’ll suppose my helmet is A pitcher made o’ steel, And we’ll carry home some watter To thy uncle Jock McNeil.”
She silently consented, for She blink’d her bonny ee, I threw mi arms around her, And gave her kisses three. To wrong the bonny Lassie I sware ’twould be a sin; So knelt dahn by the watter To dip mi helmet in.
Out spake this bonny Lassie, “My soldier lad, forbear, I wadna spoil thi bonny plume That decks thi raven hair; Come buckle up thy sword again, Put on thi cap o’ steel, I carena for my pitcher, nor My uncle Jock McNeil.”
I often think, my comrades, About this Northern queen, And fancy that I see her smile, Though mountains lay between. But should you meet her Uncle Jock, I hope you’ll never tell How I squared the broken pitcher, With the Lassie at the well.
Ode to Sir Titus Salt.
Go, string once more old Ebor’s harp, And bring it here to me, For I must sing another song, The theme of which shall be,— A worthy old philanthropist, Whose soul in goodness soars, And one whose name will stand as firm As rocks that gird our shores; The fine old Bradford gentleman, The good Sir Titus Salt.
Heedless of others; some there are, Who all their days employ To raise themselves, no matter how, And better men destroy: How different is the mind of him, Whose deeds themselves are told, Who values worth more nobly far Than all the heaps of gold.
His feast and revels are not such, As those we hear and see, No princely show does he indulge, Nor feats of revelry; But in the orphan schools they are, Or in the cot with her, The widow and the orphan of The shipwrecked mariner,
The preface to this 1891 volume presents it as a selection and representation of the author's more generally interesting productions from thirty years of musings, submitted without formal dedication or the influence of conspicuous names. The poems range from tributes to local figures like Poet Nicholson and Sir Titus Salt to dialect narratives such as 'Fra Haworth ta Bradford,' which recounts a comical misdirection involving monuments. The collection also includes patriotic pieces like 'The Veteran' and an address to Queen Victoria, reflecting a blend of regional identity and national loyalty.
Structure and Selection
The preface explicitly states that this revised edition is not a comprehensive collection but a selection of the author's more generally interesting productions. The contents list shows a mix of occasional poems—such as those for Burns's centenary or the opening of Devonshire Park—and personal reflections like 'Home of my Boyish Days.' The author acknowledges that many poems are omitted, trusting they will be treasured in scrapbooks. This framing suggests the volume was shaped by public reception and the author's own judgment of what would appeal to his local audience.
Recurring Images: Nature and Industry
Several poems juxtapose natural landscapes with industrial or urban settings. In the tribute to Poet Nicholson, the speaker muses on 'Goitstock Falls, and rugged Marley's hill' and 'each silvery stream,' while also referencing the 'crooked river Aire' and the town of Bingley. 'The Factory Girl' and 'Address to t'First Wesherwoman' hint at working-class life. This tension between pastoral beauty and the encroaching industrial world is a recurring thread, though the excerpts do not reveal how fully it is developed across the entire collection.
Dialect and Voice
The poems employ Yorkshire dialect extensively, as in 'Fra Haworth ta Bradford,' where lines like 'Joe Hobble an' his better hauf, / Went inta Bradford straight' capture local speech patterns. The preface is in standard English, but the poems themselves shift between dialect and more formal registers. 'The Veteran,' for instance, uses standard English for the sergeant's recruitment speech ('Come, rouse my lad, be not afraid') while the narrator's later reflections retain a colloquial tone ('time's graved-care is on my brow'). This code-switching suggests the poet was adept at moving between local and national audiences.
Movement Between Scenes
The poems often move abruptly between intimate and public settings. 'The Veteran' opens with a personal farewell ('I left yon fields so fair to view') and shifts to the sergeant's grand historical claims about Waterloo and Inkerman. Similarly, 'Fra Haworth ta Bradford' begins with a domestic journey and escalates into a farcical confrontation over a misidentified monument. The tribute to Nicholson moves from a solitary moss-covered bank to a sweeping view of the Aire valley and literary history. This structural pattern of zooming from personal to panoramic is evident in multiple poems.
Readers approaching this collection should note its dual character: it is both a local artifact, steeped in the dialect and concerns of late-19th-century Yorkshire, and a work that reaches toward national themes of patriotism and literary tradition. The preface's modesty and the poems' varied registers invite attention to how the author negotiated his place between regional identity and broader literary currents. The excerpts suggest a poet who used familiar scenes as springboards for reflection on history, community, and change.
Bill o'th' Hoylus End’s preface, that shy nod to thirty years of choosing what matters, always felt like a hand resting on a familiar shelf. It is the same quiet warmth I find in The kings and queens of England, with other poems — Edition Insights, where history breathes gently between the lines. Both books share that patient hum of a voice simply telling its own truth.
Leo Jackson
1 month agoCamila Jackson
4 weeks agoScarlett Young
1 month agoGrayson Campbell
3 weeks ago-
Clinton Allen - 4 weeks ago
A solid collection that benefits from careful revision. The poems are well-structured and the language is precise. Some pieces are truly lovely, while others feel a bit predictable. The overall quality is good, but I wished for more variety in tone and subject. Still, a pleasant read for poetry lovers. -
Brittany James - 3 weeks ago
This revised edition of poems is a triumph. The author has refined previous works and included new pieces that showcase their growth as a poet. The collection is cohesive, with themes of nature, love, and mortality woven throughout. Each poem is crafted with care, offering moments of insight and beauty. Highly recommended for both new and returning readers. -
John Love - 2 weeks ago
Despite being a revised edition, this collection still feels uneven. Some poems are overly simplistic, while others are bogged down by unnecessary complexity. The revisions do not address the fundamental issues of pacing and emotional impact. I was disappointed because I expected more from a 'revised' edition. The effort seems half-hearted.
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Michael Torres
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