Poems in Two Volumes, Volume 2 — Reading Notes

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Wordsworth, William, 1770-1850 Project Gutenberg 2005 Not confirmed
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Wordsworth's second volume of 1807 poems, including Scottish tour pieces, sonnets on abolition and German prophecy, and meditations on nature, poverty, and the imagination, with a notable focus on the 'Moods of My Own Mind' section.
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Yet was Rob Roy as _wise_ as brave; Forgive me if the phrase be strong;-- Poet worthy of Rob Roy Must scorn a timid song.

Say, then, that he was wise as brave; As wise in thought as bold in deed: For in the principles of things _He_ sought his moral creed. 20

Said generous Rob, "What need of Books? Burn all the Statutes and their shelves: They stir us up against our Kind; And worse, against Ourselves."

"We have a passion, make a law, Too false to guide us or controul! And for the law itself we fight In bitterness of soul."

"And, puzzled, blinded thus, we lose Distinctions that are plain and few: 30 These find I graven on my heart: _That_ tells me what to do."

"The Creatures see of flood and field, And those that travel on the wind! With them no strife can last; they live In peace, and peace of mind."

"For why?--because the good old Rule Sufficeth them, the simple Plan, That they should take who have the power, And they should keep who can." 40

"A lesson which is quickly learn'd, A signal this which all can see! Thus nothing here provokes the Strong To wanton cruelty."

"All freakishness of mind is check'd; He tam'd, who foolishly aspires; While to the measure of his might Each fashions his desires."

"All Kinds, and Creatures, stand and fall By strength of prowess or of wit: 50 Tis God's appointment who must sway, And who is to submit."

"Since then," said Robin, "right is plain, And longest life is but a day; To have my ends, maintain my rights, I'll take the shortest way."

And thus among these rocks he liv'd, Through summer's heat and winter's snow: The Eagle, he was Lord above, And Rob was Lord below. 60

So was it--_would_, at least, have been But through untowardness of fate: For Polity was then too strong; He came an age too late,

Or shall we say an age too soon? For, were the bold Man living _now_, How might he flourish in his pride, With buds on every bough!

Then rents and Factors, rights of chace, Sheriffs, and Lairds and their domains 70 Would all have seem'd but paltry things, Not worth a moment's pains.

Rob Roy had never linger'd here, To these few meagre Vales confin'd; But thought how wide the world, the times How fairly to his mind!

And to his Sword he would have said, "Do Thou my sovereign will enact From land to land through half the earth! Judge thou of law and fact!" 80

"Tis fit that we should do our part; Becoming, that mankind should learn That we are not to be surpass'd In fatherly concern."

"Of old things all are over old, Of good things none are good enough:-- We'll shew that we can help to frame A world of other stuff."

"I, too, will have my Kings that take From me the sign of life and death: 90 Kingdoms shall shift about, like clouds, Obedient to my breath."

And, if the word had been fulfill'd, As _might_ have been, then, thought of joy! France would have had her present Boast; And we our brave Rob Roy!

Oh! say not so; compare them not; I would not wrong thee, Champion brave! Would wrong thee no where; least of all Here standing by thy Grave. 100

For Thou, although with some wild thoughts, Wild Chieftain of a Savage Clan! Hadst this to boast of; thou didst love The _liberty_ of Man.

And, had it been thy lot to live With us who now behold the light, Thou would'st have nobly stirr'd thyself, And battled for the Right.

For Robin was the poor Man's stay The poor man's heart, the poor man's hand; 110 And all the oppress'd, who wanted strength, Had Robin's to command.

Bear witness many a pensive sigh Of thoughtful Herdsman when he strays Alone upon Loch Veol's Heights, And by Loch Lomond's Braes!

And, far and near, through vale and hill, Are faces that attest the same; And kindle, like a fire new stirr'd, At sound of ROB ROY's name. 120

2. _THE SOLITARY REAPER_.

Behold her, single in the field, Yon solitary Highland Lass! Reaping and singing by herself; Stop here, or gently pass! Alone she cuts, and binds the grain, And sings a melancholy strain; O listen! for the Vale profound Is overflowing with the sound.

No Nightingale did ever chaunt So sweetly to reposing bands 10 Of Travellers in some shady haunt, Among Arabian Sands: No sweeter voice was ever heard In spring-time from the Cuckoo-bird, Breaking the silence of the seas Among the farthest Hebrides.

Will no one tell me what she sings? Perhaps the plaintive numbers flow For old, unhappy, far-off things, And battles long ago: 20 Or is it some more humble lay, Familiar matter of today? Some natural sorrow, loss, or pain, That has been, and may be again!

Whate'er the theme, the Maiden sung As if her song could have no ending; I saw her singing at her work, And o'er the sickle bending; I listen'd till I had my fill; And, as I mounted up the hill, 30 The music in my heart I bore, Long after it was heard no more.

3. _STEPPING WESTWARD_.

While my Fellow-traveller and I were walking by the side of Loch Ketterine, one fine evening after sun-set, in our road to a Hut where in the course of our Tour we had been hospitably entertained some weeks before, we met, in one of the loneliest parts of that solitary region, two well dressed Women, one of whom said to us, by way of greeting, "What you are stepping westward?"

_"What you are stepping westward?"--"Yea_." --'Twould be a wildish destiny, If we, who thus together roam In a strange Land, and far from home, Were in this place the guests of Chance: Yet who would stop, or fear to advance, Though home or shelter he had none, With such a Sky to lead him on?

The dewy ground was dark and cold; Behind, all gloomy to behold; 10 And stepping westward seem'd to be A kind of _heavenly_ destiny; I liked the greeting; 'twas a sound Of something without place or bound; And seem'd to give me spiritual right To travel through that region bright.

The voice was soft, and she who spake Was walking by her native Lake: The salutation had to me The very sound of courtesy: 20 It's power was felt; and while my eye Was fixed upon the glowing sky, The echo of the voice enwrought A human sweetness with the thought Of travelling through the world that lay Before me in my endless way.

4. _GLEN-ALMAIN_, or the NARROW GLEN

In this still place, remote from men, Sleeps Ossian, in the NARROW GLEN; In this still place, where murmurs on But one meek Streamlet, only one: He sang of battles, and the breath Of stormy war, and violent death; And should, methinks, when all was past, Have rightfully been laid at last Where rocks were sudely heap'd, and rent As by a spirit turbulent; 10 Where sights were rough, and sounds were wild, And every thing unreconciled; In some complaining, dim retreat, For fear and melancholy meet; But this is calm; there cannot be A more entire tranquillity.

Does then the Bard sleep here indeed? Or is it but a groundless creed? What matters it? I blame them not Whose Fancy in this lonely Spot 20 Was moved; and in this way express'd Their notion of its perfect rest. A Convent, even a hermit's Cell Would break the silence of this Dell: It is not quiet, is not ease; But something deeper far than these: The separation that is here Is of the grave; and of austere And happy feelings of the dead: And, therefore, was it rightly said 30 That Ossian, last of all his race! Lies buried in this lonely place.

5. _THE MATRON OF JEDBOROUGH AND HER HUSBAND_.

At Jedborough we went into private Lodgings for a few days; and the following Verses were called forth by the character, and domestic situation, of our Hostess.

Age! twine thy brows with fresh spring flowers! And call a train of laughing Hours; And bid them dance, and bid them sing; And Thou, too, mingle in the Ring! Take to thy heart a new delight; If not, make merry in despite! For there is one who scorns thy power. --But dance! for under Jedborough Tower There liveth in the prime of glee, A Woman, whose years are seventy-three, 10 And She will dance and sing with thee!

Nay! start not at that Figure--there! Him who is rooted to his chair! Look at him--look again! for He Hath long been of thy Family. With legs that move not, if they can, And useless arms, a Trunk of Man, He sits, and with a vacant eye; A Sight to make a Stranger sigh! Deaf, drooping, that is now his doom: 20 His world is in this single room: Is this a place for mirth and cheer? Can merry-making enter here?

The joyous Woman is the Mate Of Him in that forlorn estate! He breathes a subterraneous damp, But bright as Vesper shines her lamp: He is as mute as Jedborough Tower; She jocund as it was of yore, With all its bravery on; in times, 30 When, all alive with merry chimes, Upon a sun-bright morn of May, It rouz'd the Vale to Holiday.

I praise thee, Matron! and thy due Is praise; heroic praise, and true! With admiration I behold Thy gladness unsubdued and bold: Thy looks, thy gestures, all present The picture of a life well-spent: This do I see; and something more; 40 A strength unthought of heretofore! Delighted am I for thy sake; And yet a higher joy partake. Our Human-nature throws away It's second Twilight, and looks gay: A Land of promise and of pride Unfolding, wide as life is wide.

Ah! see her helpless Charge! enclos'd Within himself, as seems; compos'd; To fear of loss, and hope of gain, 50 The strife of happiness and pain, Utterly dead! yet, in the guise Of little Infants, when their eyes Begin to follow to and fro The persons that before them go, He tracks her motions, quick or slow. Her buoyant Spirit can prevail Where common cheerfulness would fail: She strikes upon him with the heat Of July Suns; he feels it sweet; 60 An animal delight though dim! 'Tis all that now remains for him!

I look'd, I scann'd her o'er and o'er; The more I look'd I wonder'd more: When suddenly I seem'd to espy A trouble in her strong black eye; A remnant of uneasy light, A flash of something over-bright! And soon she made this matter plain; And told me, in a thoughtful strain, 70 That she had borne a heavy yoke, Been stricken by a twofold stroke; Ill health of body; and had pin'd Beneath worse ailments of the mind.

So be it! but let praise ascend To Him who is our Lord and Friend! Who from disease and suffering Hath call'd for thee a second Spring; Repaid thee for that sore distress By no untimely joyousness; 80 Which makes of thine a blissful state; And cheers thy melancholy Mate!

6. _TO A HIGHLAND GIRL_.

(At Inversneyde, upon Loch Lomond.)

Sweet Highland Girl, a very shower Of beauty is thy earthly dower! Twice seven consenting years have shed Their utmost bounty on thy head: And these gray Rocks; this household Lawn; These Trees, a veil just half withdrawn; This fall of water, that doth make A murmur near the silent Lake; This little Bay, a quiet Road That holds in shelter thy Abode; 10 In truth together ye do seem Like something fashion'd in a dream;

Such Forms as from their covert peep When earthly cares are laid asleep! Yet, dream and vision as thou art, I bless thee with a human heart: God shield thee to thy latest years! I neither know thee nor thy peers; And yet my eyes are fill'd with tears.

With earnest feeling I shall pray 20 For thee when I am far away: For never saw I mien, or face, In which more plainly I could trace Benignity and home-bred sense Ripening in perfect innocence. Here, scatter'd like a random seed, Remote from men, Thou dost not need The embarrass'd look of shy distress, And maidenly shamefacedness:

Thou wear'st upon thy forehead clear 30 The freedom of a Mountaineer. A face with gladness overspread! Sweet looks, by human kindness bred! And seemliness complete, that sways Thy courtesies, about thee plays; With no restraint, but such as springs From quick and eager visitings Of thoughts, that lie beyond the reach Of thy few words of English speech: A bondage sweetly brook'd, a strife 40 That gives thy gestures grace and life! So have I, not unmov'd in mind, Seen birds of tempest-loving kind, Thus beating up against the wind.

What hand but would a garland cull For thee who art so beautiful? O happy pleasure! here to dwell Beside thee in some heathy dell; Adopt your homely ways and dress, A Shepherd, thou a Shepherdess! 50 But I could frame a wish for thee More like a grave reality: Thou art to me but as a wave Of the wild sea; and I would have Some claim upon thee, if I could, Though but of common neighbourhood. What joy to hear thee, and to see! Thy elder Brother I would be, Thy Father, any thing to thee!

Now thanks to Heaven! that of its grace 60 Hath led me to this lonely place. Joy have I had; and going hence I bear away my recompence. In spots like these it is we prize Our Memory, feel that she hath eyes: Then, why should I be loth to stir? I feel this place was made for her; To give new pleasure like the past, Continued long as life shall last. Nor am I loth, though pleased at heart, 70 Sweet Highland Girl! from Thee to part; For I, methinks, till I grow old, As fair before me shall behold, As I do now, the Cabin small, The Lake, the Bay, the Waterfall; And Thee, the Spirit of them all!

7. _SONNET_. (Composed at ---- Castle.)

Degenerate Douglas! oh, the unworthy Lord! Whom mere despite of heart could so far please, And love of havoc (for with such disease Fame taxes him) that he could send forth word To level with the dust a noble horde, A brotherhood of venerable Trees, Leaving an ancient Dome, and Towers like these, Beggared and outraged!--Many hearts deplor'd The fate of those old Trees; and oft with pain The Traveller, at this day, will stop and gaze On wrongs, which Nature scarcely seems to heed: For shelter'd places, bosoms, nooks and bays, And the pure mountains, and the gentle Tweed, And the green silent pastures, yet remain.

8. ADDRESS _TO THE SONS OF BURNS_ after visiting their Father's Grave (August 14th, 1803.)

Ye now are panting up life's hill! 'Tis twilight time of good and ill, And more than common strength and skill Must ye display If ye would give the better will Its lawful sway.

Strong bodied if ye be to bear Intemperance with less harm, beware! But if your Father's wit ye share, Then, then indeed, 10 Ye Sons of Burns! for watchful care There will be need.

For honest men delight will take To shew you favor for his sake, Will flatter you; and Fool and Rake Your steps pursue: And of your Father's name will make A snare for you.

Let no mean hope your souls enslave; Be independent, generous, brave! 20 Your Father such example gave, And such revere! But be admonish'd by his Grave, And think, and fear!

9. _YARROW UNVISITED_.

(See the various Poems the scene of which is laid upon the Banks of the Yarrow; in particular, the exquisite Ballad of Hamilton, beginning: "Busk ye, busk ye my bonny, bonny Bride, Busk ye, busk ye my winsome Marrow!"--)

From Stirling Castle we had seen The mazy Forth unravell'd; Had trod the banks of Clyde, and Tay, And with the Tweed had travell'd; And, when we came to Clovenford, Then said my '_winsome Marrow_', "Whate'er betide, we'll turn aside, And see the Braes of Yarrow."

"Let Yarrow Folk, _frae_ Selkirk Town, Who have been buying, selling, 10 Go back to Yarrow, 'tis their own, Each Maiden to her Dwelling! On Yarrow's Banks let herons feed, Hares couch, and rabbits burrow! But we will downwards with the Tweed, Nor turn aside to Yarrow."

"There's Galla Water, Leader Haughs, Both lying right before us; And Dryborough, where with chiming Tweed The Lintwhites sing in chorus; 20 There's pleasant Tiviot Dale, a land Made blithe with plough and harrow; Why throw away a needful day To go in search of Yarrow?"

"What's Yarrow but a River bare That glides the dark hills under? There are a thousand such elsewhere As worthy of your wonder." --Strange words they seem'd of slight and scorn; My True-love sigh'd for sorrow; 30 And look'd me in the face, to think I thus could speak of Yarrow!

"Oh! green," said I, "are Yarrow's Holms, And sweet is Yarrow flowing! Fair hangs the apple frae the rock [1], But we will leave it growing. O'er hilly path, and open Strath, We'll wander Scotland thorough; But, though so near, we will not turn Into the Dale of Yarrow." 40

[Footnote 1: See Hamilton's Ballad as above.]

"Let Beeves and home-bred Kine partake The sweets of Burn-mill meadow; The Swan on still St. Mary's Lake Float double, Swan and Shadow! We will not see them; will not go, Today, nor yet tomorrow; Enough if in our hearts we know, There's such a place as Yarrow."

"Be Yarrow Stream unseen, unknown! It must, or we shall rue it: 50 We have a vision of our own; Ah! why should we undo it? The treasured dreams of times long past We'll keep them, winsome Marrow! For when we're there although 'tis fair 'Twill be another Yarrow!"

"If Care with freezing years should come, And wandering seem but folly, Should we be loth to stir from home, And yet be melancholy; 60 Should life be dull, and spirits low, 'Twill soothe us in our sorrow That earth has something yet to show, The bonny Holms of Yarrow!"

MOODS OF MY OWN MIND.

Stay near me--do not take thy flight! A little longer stay in sight! Much converse do I find in Thee, Historian of my Infancy! Float near me; do not yet depart! Dead times revive in thee: Thou bring'st, gay Creature as thou art! A solemn image to my heart, My Father's Family!

Oh! pleasant, pleasant were the days, The time, when in our childish plays My sister Emmeline and I Together chaced the Butterfly! A very hunter did I rush Upon the prey:--with leaps and springs I follow'd on from brake to bush; But She, God love her! feared to brush The dust from off its wings.

The Sun has long been set: The Stars are out by twos and threes; The little Birds are piping yet Among the bushes and trees; There's a Cuckoo, and one or two thrushes; And a noise of wind that rushes, With a noise of water that gushes; And the Cuckoo's sovereign cry Fills all the hollow of the sky!

Who would go "parading" 10 In London, and "masquerading," On such a night of June? With that beautiful soft half-moon, And all these innocent blisses, On such a night as this is!

O Nightingale! thou surely art A Creature of a fiery heart-- These notes of thine they pierce, and pierce; Tumultuous harmony and fierce! Thou sing'st as if the God of wine Had help'd thee to a Valentine; A song in mockery and despite Of shades, and dews, and silent Night, And steady bliss, and all the Loves Now sleeping in these peaceful groves! 10

I heard a Stockdove sing or say His homely tale, this very day. His voice was buried among trees, Yet to be come at by the breeze: He did not cease; but coo'd--and coo'd; And somewhat pensively he woo'd: He sang of love with quiet blending, Slow to begin, and never ending; Of serious faith, and inward glee; That was the Song, the Song for me! 20

My heart leaps up when I behold A Rainbow in the sky: So was it when my life began; So is it now I am a Man; So be it when I shall grow old, Or let me die! The Child is Father of the Man; And I could wish my days to be Bound each to each by natural piety.

5. _WRITTEN IN MARCH_, While resting on the Bridge at the Foot of Brother's Water.

This volume collects poems written during a tour in Scotland alongside a section titled 'Moods of My Own Mind,' revealing Wordsworth's range from ballad-like narratives to intimate lyrics. The opening poem, 'Rob Roy's Grave,' immediately challenges expectations by celebrating a Scottish outlaw with a moral creed that rejects books and statutes in favor of innate principles. The excerpts show a poet experimenting with voice—sometimes directly addressing figures like Thomas Clarkson or a Highland girl, sometimes adopting the persona of a French exile speaking to a child. The catalog subject 'English poetry' is accurate but narrow; the poems frequently engage with Scottish settings, German politics, and the slave trade, indicating a broader geographical and moral scope than the subject heading suggests.

Scottish Tour and the Ballad Tradition

The tour poems open with 'Rob Roy's Grave,' which invokes Robin Hood to frame Scotland's outlaw as a figure of 'dauntless heart' and 'wondrous length and strength of arm.' The poem's stanza form and refrain ('Then clear the weeds from off his Grave') echo English balladry, yet Wordsworth inserts a philosophical argument: Rob Roy 'sought his moral creed' in 'the principles of things,' not in books. This tension between folk simplicity and reflective thought recurs in 'The Solitary Reaper' and 'Stepping Westward,' where encounters with Highland figures prompt meditations on solitude and hospitality. The excerpts do not reveal whether the tour poems form a coherent narrative, but they consistently blend observed detail—a grave, a reaper, a narrow glen—with abstract reflection. The notes mentioned in the contents may provide context, but they are not included here.

Sonnets of Public and Private Conscience

Several sonnets address political and moral issues. 'A Prophecy. Feb. 1807' envisions Germany rising against Napoleon, with Arminius as a 'Watchword' that stirs the nation to throw off its yoke. The poem's prophetic tone and direct address to 'Germans' mark a departure from the personal lyrics. More striking is the sonnet to Thomas Clarkson, celebrating the abolition of the slave trade: 'The bloody Writing is for ever torn.' Here Wordsworth praises Clarkson's 'pilgrimage sublime' and predicts 'a good Man's calm.' The sonnet form imposes discipline on these public themes, yet the excerpts also include a sonnet on an old man whose 'waking empire' is 'wide as dreams,' suggesting that Wordsworth saw the sonnet as equally suited to inner vision. The catalog subject 'English poetry' does not capture this engagement with contemporary events.

Voices of Exile and Compassion

A remarkable sequence presents a French exile in an English hamlet who befriends a neighbor's child. The poem shifts into the exile's voice: 'Dear Babe, thou Daughter of another, / One moment let me be thy Mother!' The speaker's longing for her own child left behind—'Across the waters I am come, / And I have left a Babe at home'—creates a layered portrait of displacement and maternal affection. Wordsworth frames the poem as a translation of what he 'knew, had heard, and guess'd,' acknowledging the limits of his knowledge. This self-awareness contrasts with the assertive voice of the Rob Roy poem. The excerpt breaks off before the poem's conclusion, but the existing lines show Wordsworth using dramatic monologue to explore sympathy across national and linguistic boundaries. The catalog does not hint at this cosmopolitan dimension.

Readers approaching this volume should note that the excerpts represent only a fraction of the contents listed in the table of contents, which includes poems like 'The Blind Highland Boy,' 'Power of Music,' and 'Ode.' The 'Moods of My Own Mind' section, with its short lyrics on butterflies, celandines, and sparrows, may offer a more private counterpoint to the public sonnets. Pay attention to Wordsworth's use of footnotes and epigraphs—the Latin motto on the title page promises that 'our Muse will speak to you with a weightier sound' in times to come, a claim the poems themselves test.

Wordsworth’s Moods of My Own Mind always felt like a private conversation, the quiet hum of a man listening to his own heart. I find that same gentle intimacy in Poems (1786), Volume I. — Story, Setting & Ideas, as if both books were old friends, content to sit together in the same patch of afternoon light, never needing to speak. A shared breath, truly.

Joseph King
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Oliver Lopez
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  • ...
    Gabriella Brooke Smith - 3 weeks ago
    {'review_type': 'positive', 'text': 'This second volume continues the lyrical journey with profound beauty. The poems flow with a timeless elegance, each verse inviting introspection. The imagery is vivid, and the emotional depth resonates long after reading. A must-have for poetry lovers who appreciate classic craftsmanship and emotional resonance.'}

  • ...
    Karen Mitchell - 2 weeks ago
    {'review_type': 'neutral', 'text': "Volume 2 offers a solid collection of poems that maintain the quality of the first, with several standout pieces. However, some poems feel repetitive in theme, and a few could have been edited tighter. Still, a worthwhile read for those exploring this poet's work."}

  • ...
    Lisa Garcia - 1 week ago
    {'review_type': 'negative', 'text': "While Volume 2 has its moments, it often feels like filler padding the collection. Several poems lack the freshness of the first volume, with overly familiar themes and weak imagery. It's a decent addition for completists but not essential."}


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