Poems by William Cullen Bryant — Reading Notes

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Bryant, William Cullen, 1794-1878 Project Gutenberg 2005 Not confirmed
American poetry -- 19th century Readers of public-domain and historical texts
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Words 54,093
Reading time 236 min
Text sections 11

The catalog record for Poems by William Cullen Bryant — Reading Notes provides practical reading context through 54,093 words, 3 hr 56 min estimated reading time, and 11 detected text sections.

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This edition of William Cullen Bryant's poems, authorized by the poet for European circulation in 1854, showcases his characteristic blend of meditative nature observation and moral reflection. The collection spans from early works like 'Thanatopsis' to later pieces, revealing shifts in tone and subject.
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And Virtue cannot dwell with slaves, nor reign O'er those who cower to take a tyrant's yoke; She left the down-trod nations in disdain, And flew to Greece, when Liberty awoke, New-born, amid those glorious vales, and broke Sceptre and chain with her fair youthful hands: As rocks are shivered in the thunder-stroke. And lo! in full-grown strength, an empire stands Of leagued and rival states, the wonder of the lands.

Oh, Greece! thy flourishing cities were a spoil Unto each other; thy hard hand oppressed And crushed the helpless; thou didst make thy soil Drunk with the blood of those that loved thee best; And thou didst drive, from thy unnatural breast, Thy just and brave to die in distant climes; Earth shuddered at thy deeds, and sighed for rest From thine abominations; after times, That yet shall read thy tale, will tremble at thy crimes.

Yet there was that within thee which has saved Thy glory, and redeemed thy blotted name; The story of thy better deeds, engraved On fame's unmouldering pillar, puts to shame Our chiller virtue; the high art to tame The whirlwind of the passions was thine own; And the pure ray, that from thy bosom came, Far over many a land and age has shone, And mingles with the light that beams from God's own throne;

And Rome--thy sterner, younger sister, she Who awed the world with her imperial frown-- Rome drew the spirit of her race from thee,-- The rival of thy shame and thy renown. Yet her degenerate children sold the crown Of earth's wide kingdoms to a line of slaves; Guilt reigned, and we with guilt, and plagues came down, Till the north broke its floodgates, and the waves Whelmed the degraded race, and weltered o'er their graves.

Vainly that ray of brightness from above, That shone around the Galilean lake, The light of hope, the leading star of love, Struggled, the darkness of that day to break; Even its own faithless guardians strove to slake, In fogs of earth, the pure immortal flame; And priestly hands, for Jesus' blessed sake, Were red with blood, and charity became, In that stern war of forms, a mockery and a name.

They triumphed, and less bloody rites were kept Within the quiet of the convent cell: The well-fed inmates pattered prayer, and slept, And sinned, and liked their easy penance well. Where pleasant was the spot for men to dwell, Amid its fair broad lands the abbey lay, Sheltering dark orgies that were shame to tell, And cowled and barefoot beggars swarmed the way, All in their convent weeds, of black, and white, and gray.

Oh, sweetly the returning muses' strain Swelled over that famed stream, whose gentle tide In their bright lap the Etrurian vales detain, Sweet, as when winter storms have ceased to chide, And all the new-leaved woods, resounding wide, Send out wild hymns upon the scented air. Lo! to the smiling Arno's classic side The emulous nations of the west repair, And kindle their quenched urns, and drink fresh spirit there.

Still, Heaven deferred the hour ordained to rend From saintly rottenness the sacred stole; And cowl and worshipped shrine could still defend The wretch with felon stains upon his soul; And crimes were set to sale, and hard his dole Who could not bribe a passage to the skies; And vice, beneath the mitre's kind control, Sinned gaily on, and grew to giant size, Shielded by priestly power, and watched by priestly eyes.

At last the earthquake came--the shock, that hurled To dust, in many fragments dashed and strown, The throne, whose roots were in another world, And whose far-stretching shadow awed our own. From many a proud monastic pile, o'erthrown, Fear-struck, the hooded inmates rushed and fled; The web, that for a thousand years had grown O'er prostrate Europe, in that day of dread Crumbled and fell, as fire dissolves the flaxen thread.

The spirit of that day is still awake, And spreads himself, and shall not sleep again; But through the idle mesh of power shall break Like billows o'er the Asian monarch's chain; Till men are filled with him, and feel how vain, Instead of the pure heart and innocent hands, Are all the proud and pompous modes to gain The smile of heaven;--till a new age expands Its white and holy wings above the peaceful lands.

For look again on the past years;--behold, How like the nightmare's dreams have flown away Horrible forms of worship, that, of old, Held, o'er the shuddering realms, unquestioned sway: See crimes, that feared not once the eye of day, Rooted from men, without a name or place: See nations blotted out from earth, to pay The forfeit of deep guilt;--with glad embrace The fair disburdened lands welcome a nobler race.

Thus error's monstrous shapes from earth are driven; They fade, they fly--but truth survives their flight; Earth has no shades to quench that beam of heaven; Each ray that shone, in early time, to light The faltering footsteps in the path of right, Each gleam of clearer brightness shed to aid In man's maturer day his bolder sight, All blended, like the rainbow's radiant braid, Pour yet, and still shall pour, the blaze that cannot fade.

Late, from this western shore, that morning chased The deep and ancient night, that threw its shroud O'er the green land of groves, the beautiful waste, Nurse of full streams, and lifter-up of proud Sky-mingling mountains that o'erlook the cloud. Erewhile, where yon gay spires their brightness rear, Trees waved, and the brown hunter's shouts were loud Amid the forest; and the bounding deer Fled at the glancing plume, and the gaunt wolf yelled near;

And where his willing waves yon bright blue bay Sends up, to kiss his decorated brim, And cradles, in his soft embrace, the gay Young group of grassy islands born of him, And crowding nigh, or in the distance dim, Lifts the white throng of sails, that bear or bring The commerce of the world;--with tawny limb, And belt and beads in sunlight glistening, The savage urged his skiff like wild bird on the wing.

Then all this youthful paradise around, And all the broad and boundless mainland, lay Cooled by the interminable wood, that frowned O'er mount and vale, where never summer ray Glanced, till the strong tornado broke his way Through the gray giants of the sylvan wild; Yet many a sheltered glade, with blossoms gay, Beneath the showery sky and sunshine mild, Within the shaggy arms of that dark forest smiled.

There stood the Indian hamlet, there the lake Spread its blue sheet that flashed with many an oar, Where the brown otter plunged him from the brake, And the deer drank: as the light gale flew o'er, The twinkling maize-field rustled on the shore; And while that spot, so wild, and lone, and fair, A look of glad and guiltless beauty wore, And peace was on the earth and in the air, The warrior lit the pile, and bound his captive there:

Not unavenged--the foeman, from the wood, Beheld the deed, and when the midnight shade Was stillest, gorged his battle-axe with blood; All died--the wailing babe--the shrieking maid-- And in the flood of fire that scathed the glade, The roofs went down; but deep the silence grew, When on the dewy woods the day-beam played; No more the cabin smokes rose wreathed and blue, And ever, by their lake, lay moored the light canoe.

Look now abroad--another race has filled These populous borders--wide the wood recedes, And towns shoot up, and fertile realms are tilled: The land is full of harvests and green meads; Streams numberless, that many a fountain feeds, Shine, disembowered, and give to sun and breeze Their virgin waters; the full region leads New colonies forth, that toward the western seas Spread, like a rapid flame among the autumnal trees.

Here the free spirit of mankind, at length, Throws its last fetters off; and who shall place A limit to the giant's unchained strength, Or curb his swiftness in the forward race! Far, like the cornet's way through infinite space Stretches the long untravelled path of light, Into the depths of ages: we may trace, Distant, the brightening glory of its flight, Till the receding rays are lost to human sight.

Europe is given a prey to sterner fates, And writhes in shackles; strong the arms that chain To earth her struggling multitude of states; She too is strong, and might not chafe in vain Against them, but might cast to earth the train That trample her, and break their iron net. Yes, she shall look on brighter days and gain The meed of worthier deeds; the moment set To rescue and raise up, draws near--but is not yet.

But thou, my country, thou shalt never fall, Save with thy children--thy maternal care, Thy lavish love, thy blessings showered on all-- These are thy fetters--seas and stormy air Are the wide barrier of thy borders, where, Among thy gallant sons that guard thee well, Thou laugh'st at enemies: who shall then declare The date of thy deep-founded strength, or tell How happy, in thy lap, the sons of men shall dwell.

To him who in the love of Nature holds Communion with her visible forms, she speaks A various language; for his gayer hours She has a voice of gladness, and a smile And eloquence of beauty, and she glides Into his darker musings, with a mild And healing sympathy, that steals away Their sharpness, e're he is aware. When thoughts Of the last bitter hour come like a blight Over thy spirit, and sad images Of the stern agony, and shroud, and pall, And breathless darkness, and the narrow house, Make thee to shudder, and grow sick at heart;-- Go forth, under the open sky, and list To Nature's teachings, while from all around-- Earth and her waters, and the depths of air,-- Comes a still voice--Yet a few days, and thee The all-beholding sun shall see no more In all his course; nor yet in the cold ground, Where thy pale form was laid, with many tears, Nor in the embrace of ocean, shall exist Thy image. Earth, that nourished thee, shall claim Thy growth, to be resolved to earth again, And, lost each human trace, surrendering up Thine individual being, shalt thou go To mix for ever with the elements, To be a brother to the insensible rock And to the sluggish clod, which the rude swain Turns with his share, and treads upon. The oak Shall send his roots abroad, and pierce thy mould.

Yet not to thine eternal resting-place Shalt thou retire alone--nor couldst thou wish Couch more magnificent. Thou shalt lie down With patriarchs of the infant world--with kings, The powerful of the earth--the wise, the good, Fair forms, and hoary seers of ages past, All in one mighty sepulchre.--The hills Rock-ribbed and ancient as the sun,--the vales Stretching in pensive quietness between; The venerable woods--rivers that move In majesty, and the complaining brooks That make the meadows green; and, poured round all, Old ocean's gray and melancholy waste,-- Are but the solemn decorations all Of the great tomb of man. The golden sun, The planets, all the infinite host of heaven, Are shining on the sad abodes of death, Through the still lapse of ages. All that tread The globe are but a handful to the tribes That slumber in its bosom.--Take the wings Of morning--and the Barcan desert pierce, Or lose thyself in the continuous woods Where rolls the Oregon, and hears no sound, Save his own dashings--yet--the dead are there: And millions in those solitudes, since first The flight of years began, have laid them down In their last sleep--the dead reign there alone. So shalt thou rest---and what, if thou withdraw Unheeded by the living, and no friend Take note of thy departure? All that breathe Will share thy destiny. The gay will laugh When thou art gone, the solemn brood of care Plod on, and each one as before will chase His favourite phantom; yet all these shall leave Their mirth and their employments, and shall come, And make their bed with thee. As the long train Of ages glide away, the sons of men, The youth in life's green spring, and he who goes In the full strength of years, matron, and maid, And the sweet babe, and the gray-headed man,-- Shall one by one be gathered to thy side, By those, who in their turn shall follow them.

So live, that when thy summons comes to join The innumerable caravan, that moves To that mysterious realm, where each shall take His chamber in the silent halls of death, Thou go not like the quarry-slave at night, Scourged to his dungeon, but, sustained and soothed By an unfaltering trust, approach thy grave, Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams.

When beechen buds begin to swell, And woods the blue-bird's warble know, The yellow violet's modest bell Peeps from the last year's leaves below.

Ere russet fields their green resume, Sweet flower, I love, in forest bare, To meet thee, when thy faint perfume Alone is in the virgin air.

Of all her train, the hands of Spring First plant thee in the watery mould, And I have seen thee blossoming Beside the snow-bank's edges cold.

Thy parent sun, who bade thee view Pale skies, and chilling moisture sip, Has bathed thee in his own bright hue, And streaked with jet thy glowing lip.

Yet slight thy form, and low thy seat, And earthward bent thy gentle eye, Unapt the passing view to meet, When loftier flowers are flaunting nigh.

Oft, in the sunless April day, Thy early smile has stayed my walk; But midst the gorgeous blooms of May, I passed thee on thy humble stalk.

So they, who climb to wealth, forget The friends in darker fortunes tried. I copied them--but I regret That I should ape the ways of pride.

And when again the genial hour Awakes the painted tribes of light, I'll not o'erlook the modest flower That made the woods of April bright.

INSCRIPTION FOR THE ENTRANCE TO A WOOD.

Stranger, if thou hast learned a truth which needs No school of long experience, that the world Is full of guilt and misery, and hast seen Enough of all its sorrows, crimes, and cares, To tire thee of it, enter this wild wood And view the haunts of Nature. The calm shade Shall bring a kindred calm, and the sweet breeze That makes the green leaves dance, shall waft a balm To thy sick heart. Thou wilt find nothing here Of all that pained thee in the haunts of men And made thee loathe thy life. The primal curse Fell, it is true, upon the unsinning earth, But not in vengeance. God hath yoked to guilt Her pale tormentor, misery. Hence, these shades Are still the abodes of gladness; the thick roof Of green and stirring branches is alive And musical with birds, that sing and sport In wantonness of spirit; while below The squirrel, with raised paws and form erect, Chirps merrily. Throngs of insects in the shade Try their thin wings and dance in the warm beam That waked them into life. Even the green trees Partake the deep contentment; as they bend To the soft winds, the sun from the blue sky Looks in and sheds a blessing on the scene. Scarce less the cleft-born wild-flower seems to enjoy Existence, than the winged plunderer That sucks its sweets. The massy rocks themselves, And the old and ponderous trunks of prostrate trees That lead from knoll to knoll a causey rude Or bridge the sunken brook, and their dark roots, With all their earth upon them, twisting high, Breathe fixed tranquillity. The rivulet Sends forth glad sounds, and tripping o'er its bed Of pebbly sands, or leaping down the rocks, Seems, with continuous laughter, to rejoice In its own being. Softly tread the marge, Lest from her midway perch thou scare the wren That dips her bill in water. The cool wind, That stirs the stream in play, shall come to thee, Like one that loves thee nor will let thee pass Ungreeted, and shall give its light embrace.

Soon as the glazed and gleaming snow Reflects the day-dawn cold and clear, The hunter of the west must go In depth of woods to seek the deer.

His rifle on his shoulder placed, His stores of death arranged with skill, His moccasins and snow-shoes laced,-- Why lingers he beside the hill?

Far, in the dim and doubtful light, Where woody slopes a valley leave, He sees what none but lover might, The dwelling of his Genevieve.

And oft he turns his truant eye, And pauses oft, and lingers near; But when he marks the reddening sky, He bounds away to hunt the deer.

Whither, midst falling dew, While glow the heavens with the last steps of day, Far, through their rosy depths, dost thou pursue Thy solitary way?

Vainly the fowler's eye Might mark thy distant flight to do thee wrong, As, darkly painted on the crimson sky, Thy figure floats along.

Seek'st thou the plashy brink Of weedy lake, or marge of river wide, Or where the rocking billows rise and sink On the chafed ocean side?

There is a Power whose care Teaches thy way along that pathless coast,-- The desert and illimitable air,-- Lone wandering, but not lost.

All day thy wings have fanned, At that far height, the cold, thin atmosphere, Yet stoop not, weary, to the welcome land, Though the dark night is near.

And soon that toil shall end; Soon shalt thou find a summer home, and rest, And scream among thy fellows; reeds shall bend, Soon, o'er thy sheltered nest.

Thou'rt gone, the abyss of heaven Hath swallowed up thy form; yet, on my heart Deeply hath sunk the lesson thou hast given, And shall not soon depart.

He who, from zone to zone, Guides through the boundless sky thy certain flight, In the long way that I must tread alone, Will lead my steps aright.

When breezes are soft and skies are fair, I steal an hour from study and care, And hie me away to the woodland scene, Where wanders the stream with waters of green, As if the bright fringe of herbs on its brink Had given their stain to the wave they drink; And they, whose meadows it murmurs through, Have named the stream from its own fair hue.

Yet pure its waters--its shallows are bright With coloured pebbles and sparkles of light, And clear the depths where its eddies play, And dimples deepen and whirl away, And the plane-tree's speckled arms o'ershoot The swifter current that mines its root, Through whose shifting leaves, as you walk the hill, The quivering glimmer of sun and rill With a sudden flash on the eye is thrown, Like the ray that streams from the diamond stone. Oh, loveliest there the spring days come, With blossoms, and birds, and wild bees' hum; The flowers of summer are fairest there, And freshest the breath of the summer air; And sweetest the golden autumn day In silence and sunshine glides away.

Yet fair as thou art, thou shunnest to glide, Beautiful stream! by the village side; But windest away from haunts of men, To quiet valley and shaded glen; And forest, and meadow, and slope of hill, Around thee, are lonely, lovely, and still. Lonely--save when, by thy rippling tides, From thicket to thicket the angler glides; Or the simpler comes with basket and book, For herbs of power on thy banks to look; Or haply, some idle dreamer, like me, To wander, and muse, and gaze on thee. Still--save the chirp of birds that feed On the river cherry and seedy reed, And thy own wild music gushing out With mellow murmur and fairy shout, From dawn to the blush of another day, Like traveller singing along his way.

That fairy music I never hear, Nor gaze on those waters so green and clear, And mark them winding away from sight, Darkened with shade or flashing with light, While o'er them the vine to its thicket clings, And the zephyr stoops to freshen his wings, But I wish that fate had left me free To wander these quiet haunts with thee, Till the eating cares of earth should depart, And the peace of the scene pass into my heart; And I envy thy stream, as it glides along, Through its beautiful banks in a trance of song.

This 1854 authorized edition of William Cullen Bryant's poems, prepared for European circulation, presents a carefully curated selection that spans the poet's career from his early meditations on death and nature to later works engaging with historical and political themes. The collection opens with 'The Ages,' a sweeping historical survey, and includes the well-known 'Thanatopsis' and 'To a Waterfowl,' alongside lesser-remembered pieces like 'The Hurricane' and 'William Tell.' The volume's arrangement, likely overseen by the poet himself, offers insight into how Bryant wished his work to be perceived abroad.

From Contemplation to Cataclysm

Bryant's poetic voice undergoes a notable shift across this collection. Early poems such as 'Thanatopsis' and 'The Yellow Violet' adopt a calm, reflective tone, using natural imagery to explore themes of mortality and consolation. In 'Thanatopsis,' the speaker counsels a quiet acceptance of death by communing with nature: 'Go forth, under the open sky, and list / To Nature's teachings.' The language is measured, the rhythms steady.

Later poems, however, introduce a more turbulent energy. 'The Hurricane' abandons meditative stillness for dramatic immediacy. The storm is personified as a 'Giant of air' whose 'ample robes' are 'unrolled' on the wind. The poem's syntax accelerates, piling image upon image: 'Darker—still darker! the whirlwinds bear / The dust of the plains to the middle air.' The shift from quiet observation to violent spectacle marks a deliberate expansion of Bryant's emotional and stylistic range.

The Poet as Political Voice

Several poems in this collection reveal Bryant's engagement with contemporary political themes, a departure from purely natural subjects. 'William Tell' is a sonnet that explicitly links the Swiss folk hero's defiance to the 'everlasting creed of liberty' inscribed on mountain landscapes. The poem draws a direct line from natural phenomena—'untrampled snow,' 'torrents which no power can hold'—to human political struggle.

Similarly, 'The Massacre at Scio' and 'The Greek Partisan' address the Greek War of Independence, while 'The African Chief' and 'The Twenty-second of December' touch on slavery and American history. These works often employ a more direct, declarative tone than the nature poems, suggesting Bryant saw poetry as a vehicle for moral and political commentary. The inclusion of translations from Spanish and French further broadens the collection's cultural scope.

Recurring Motifs and Structural Patterns

Certain images and structural choices recur throughout the volume, creating a cohesive poetic identity. The motif of the solitary observer—a figure walking alone in a landscape—appears in 'A Walk at Sunset,' 'A Summer Ramble,' and 'The Evening Wind.' This figure often serves as a conduit for reflection, bridging the natural world and human emotion.

Bryant also frequently employs the sonnet form, as seen in 'To —,' 'November,' 'October,' and 'William Tell.' These fourteen-line poems allow for concentrated expression, often turning on a volta that shifts from description to moral or philosophical insight. The collection's organization, moving from longer meditative pieces to shorter lyrics and sonnets, creates a varied rhythmic experience. Readers may note how Bryant's diction alternates between the archaic ('thou,' 'thee') and the more conversational, a tension that reflects the poet's position between Romantic and early Victorian sensibilities.

Readers approaching this edition should attend to the interplay between Bryant's quieter nature lyrics and his more dramatic, politically engaged poems. The volume rewards attention to shifts in meter and tone, as well as the poet's use of personification and apostrophe. Comparing the treatment of similar themes—such as death in 'Thanatopsis' versus 'The Old Man's Funeral'—reveals the range of Bryant's poetic practice. This collection offers a valuable window into the development of an American poet who sought to harmonize the natural world with human history and moral reflection.

That afternoon the rain kept time with Bryant's slow, moralizing rhythms, and at one point I set the book down, wondering about the permanence of any autumn fix. Then, almost by accident, I picked up Helen Redeemed and Other Poems — A Reader’s Guide, and found a different kind of recovery—a quieter, more human one. The two sat side by side on the armrest, sharing the grey light.

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