Ballads of Scottish Tradition and Romance Popular Ballads of the Olden Times - Third Series — Themes and Context
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ll in stour dyd stand, Heawyng on yche othar, whylle the myghte dre, with many a balfull brande.
48. This battell begane in Chyviat an owar befor the none. And when even-songe bell was rang, the battell was nat half done.
49. The tocke ... on ethar hande be the lyght off the mone; Many hade no strenght for to stande, in Chyviat the hillys abon.
50. Of fifteen hondrith archars of Ynglonde went away but seventi and thre; Of twenti hondrith spear-men of Skotlonde, but even five and fifti.
51. But all wear slayne Cheviat within; the hade no strengthe to stand on hy; The chylde may rue that ys unborne, it was the mor pittë.
52. Thear was slayne, withe the lord Persë, Sir Johan of Agerstone, Ser Rogar, the hinde Hartly, Ser Wyllyam, the bolde Hearone.
53. Ser Jorg, the worthë Loumle, a knyghte of great renowen, Ser Raff, the ryche Rugbe, with dyntes wear beaten dowene.
54. For Wetharryngton my harte was wo, that ever he slayne shulde be; For when both his leggis wear hewyne in to, yet he knyled and fought on hys kny.
55. Ther was slayne, with the dougheti Duglas, Ser Hewe the Monggombyrry, Ser Davy Lwdale, that worthë was, his sistar's son was he.
56. Ser Charls a Murrë in that place, that never a foot wolde fle; Ser Hewe Maxwelle, a lorde he was, with the Doglas dyd he dey.
57. So on the morrowe the mayde them byears off birch and hasell so gray; Many wedous, with wepyng tears, cam to fache ther makys away.
58. Tivydale may carpe off care, Northombarlond may mayk great mon, For towe such captayns as slayne wear thear on the March-parti shall never be non.
59. Word ys commen to Eddenburrowe, to Jamy the Skottishe kynge, That dougheti Duglas, lyff-tenant of the Marches, he lay slean Chyviot within.
60. His handdës dyd he weal and wryng, he sayd, 'Alas, and woe ys me! Such an othar captayn Skotland within,' he seyd, 'ye-feth shuld never be.'
61. Worde ys commyn to lovly Londone, till the fourth Harry our kynge, That lord Persë, leyff-tenante of the Marchis, he lay slayne Chyviat within.
62. 'God have merci on his solle,' sayde Kyng Harry, 'good lord, yf thy will it be! I have a hondrith captayns in Ynglonde,' he sayd, 'as good as ever was he: But, Persë, and I brook my lyffe, thy deth well quyte shall be.'
63. As our noble kynge mayd his avowe, lyke a noble prince of renowen, For the deth of the lord Persë he dyde the battell of Hombyll-down;
64. Wher syx and thrittë Skottishe knyghtes on a day wear beaten down: Glendale glytteryde on ther armor bryght, over castille, towar, and town.
65. This was the hontynge off the Cheviat, that tear begane this spurn; Old men that knowen the grownde well yenoughe call it the battell of Otterburn.
66. At Otterburn begane this spurne uppone a Monnynday; Ther was the doughtë Doglas slean, the Persë never went away.
67. Ther was never a tym on the Marche-partës sen the Doglas and the Persë met, But yt ys mervele and the rede blude ronne not, as the reane doys in the stret.
68. Ihesue Crist our balys bete, and to the blys vs brynge! Thus was the hountynge of the Chivyat: God send vs alle good endyng!
[Annotations: 1.5: 'magger' = maugre; _i.e._ in spite of. 2.4: 'let,' hinder. 3.2: 'meany,' band, company. 3.4: 'the' = they; so constantly, 'shyars thre'; the districts (still called shires) of Holy Island, Norham, and Bamborough. 5.3: 'byckarte,' _i.e._ bickered, attacked the deer. 6.1: 'wyld,' deer. 6.3: _i.e._ through the groves darted. 7.3: 'oware,' hour. 8.1: 'mort,' note of the bugle. 8.4: 'bryttlynge,' cutting up. 10.2: shaded his eyes with his hand. 12.2: 'feale,' fail. 12.4: 'yth,' in the. 13.2: 'boÿs,' bows. 14.3: 'glede,' glowing coal. 17.4: 'the ton,' one or other. 20.1: 'cors,' curse. 21.4: 'on,' one. 24.3: 'And,' If. 25.4: 'sloughe,' slew. 26.4: 'wouche,' evil. 29.4: 'basnites,' light helmets or skull-caps. 30.1: 'myneyeple,' = manople, a kind of long gauntlet. 30.3: 'freyke,' man. So 32.1, 47.1, etc. 31.4: 'myllan,' Milan steel. Cp. 'collayne,' _Battle of Otterburn_, 54.4 36.2: 'wane.' One arrow out of a large number.--Skeat. 38.3: Addison compared (Vergil, _Aen._ x. 823):-- 'Ingemuit miserans graviter dextramque tetendit,' etc. 41.3: 'blane,' lingered. 44.2: 'say,' saw. 45.2: _i.e._ till the point reached the wood of the bow. 47.3: 'whylle the myghte dre' = while they might dree, as long as they could hold. 53.1: 'Loumle,' Lumley; previously printed Louele (= Lovel). 57.4: 'makys,' mates, husbands. 58.4: 'March-parti,' the Border; so 'the Marches,' 59.3 60.1: 'weal,' clench(?). 63.4: The battle of Homildon Hill, near Wooler, Northumberland, was fought in 1402. See 1 _King Henry IV._, Act I. sc. i. 65.2: 'spurn' = kick(?): Child suggests the reading:--'That ear [= e'er] began this spurn!' as a lament. But the whole meaning is doubtful. 67.4: as the rain does. 68.1: 'our balys bete,' our misfortunes relieve.]
THE BATTLE OF OTTERBURN
+The Text+ is given mainly from the Cotton MS., Cleopatra C. iv. (_circa_ 1550). It was printed by Percy in the fourth edition of the _Reliques_; in the first edition he gave it from Harleian MS. 293, which text also is made use of here. A separate Scottish ballad was popular at least as early as 1549, and arguments to prove that it was derived from the English ballad are as inconclusive as those which seek to prove the opposite.
+The Story.+--The battle of Otterburn was fought on Wednesday, August 19, 1388. The whole story is given elaborately by Froissart, in his usual lively style, but is far too long to be inserted here. It may, however, be condensed as follows.
The great northern families of Neville and Percy being at variance owing to the quarrels of Richard II. with his uncles, the Scots took the advantage of preparing a raid into England. Earl Percy, hearing of this, collected the Northumbrian powers; and, unable to withstand the force of the Scots, determined to make a counter-raid on the east or west of the border, according as the Scots should cross. The latter, hearing of the plan through a spy, foiled it by dividing their army into two parts, the main body under Archibald Douglas being directed to Carlisle. Three or four hundred picked men-at-arms, with two thousand archers and others, under James, Earl of Douglas, Earl of March and Dunbar, and the Earl of Murray, were to aim at Newcastle, and burn and ravage the bishopric of Durham. With the latter alone we are now concerned.
With his small army the Earl of Douglas passed rapidly through Northumberland, crossed the Tyne near Brancepeth, wasted the country as far as the gates of Durham, and returned to Newcastle as rapidly as they had advanced. Several skirmishes took place at the barriers of the town: and in one of these Sir Henry Percy (Hotspur) was personally opposed to Douglas. After an obstinate struggle the Earl won the pennon of the English leader, and boasted that he would carry it to Scotland, and set it high on his castle of Dalkeith. 'That,' cried Hotspur, 'no Douglas shall ever do, and ere you leave Northumberland you shall have small cause to boast.' 'Your pennon,' answered Douglas, 'shall this night be placed before my tent; come and win it if you can.' But the Scots were suffered to retreat without any hostile attempts on the part of the English, and accordingly, after destroying the tower of Ponteland, they came on the second day to the castle of Otterburn, situated in Redesdale, about thirty-two miles from Newcastle. The rest may be read in the ballad.
'Of all the battayles,' says Froissart, 'that I have made mention of here before, in all thys hystorye, great or small, thys battayle was one of the sorest, and best foughten, without cowards or faint hertes: for ther was nother knyght nor squyre but that dyde hys devoyre, and fought hand to hand.'
THE BATTLE OF OTTERBURN
1. Yt fell abowght the Lamasse tyde, Whan husbondes Wynnes ther haye, The dowghtye Dowglasse bowynd hym to ryde, In Ynglond to take a praye.
2. The yerlle of Fyffe, wythowghten stryffe, He bowynd hym over Sulway; The grete wolde ever to-gether ryde; That raysse they may rewe for aye.
3. Over Hoppertope hyll they cam in, And so down by Rodclyffe crage; Vpon Grene Lynton they lyghted dowyn, Styrande many a stage.
4. And boldely brente Northomberlond, And haryed many a towyn; They dyd owr Ynglyssh men grete wrange, To battell that were not bowyn.
5. Than spake a berne vpon the bent, Of comforte that was not colde, And sayd, 'We have brente Northomberlond, We have all welth in holde.
6. 'Now we have haryed all Bamborowe schyre, All the welth in the world have wee; I rede we ryde to Newe Castell, So styll and stalworthlye.'
7. Vpon the morowe, when it was day, The standerds schone full bryght; To the Newe Castell the toke the waye, And thether they cam full ryght.
8. Syr Henry Perssy laye at the New Castell, I tell yow wythowtten drede; He had byn a march-man all hys dayes, And kepte Barwyke upon Twede.
9. To the Newe Castell when they cam, The Skottes they cryde on hyght, 'Syr Hary Perssy, and thow byste within, Com to the fylde, and fyght.
10. 'For we have brente Northomberlonde, Thy erytage good and ryght, And syne my logeyng I have take, Wyth my brande dubbyd many a knyght.'
11. Syr Harry Perssy cam to the walles, The Skottyssch oste for to se, And sayd, 'And thow hast brente Northomberlond, Full sore it rewyth me.
12. 'Yf thou hast haryed all Bamborowe schyre, Thow hast done me grete envye; For the trespasse thow hast me done, The tone of vs schall dye.'
13. 'Where schall I byde the?' sayd the Dowglas, 'Or where wylte thow com to me?' 'At Otterborne, in the hygh way, Ther mast thow well logeed be.
14. 'The roo full rekeles ther sche rinnes, To make the game and glee; The fawken and the fesaunt both, Amonge the holtes on hye.
15. 'Ther mast thow haue thy welth at wyll, Well looged ther mast be; Yt schall not be long or I com the tyll,' Sayd Syr Harry Perssye.
16. 'Ther schall I byde the,' sayd the Dowglas, 'By the fayth of my bodye': 'Thether schall I com,' sayd Syr Harry Perssy, 'My trowth I plyght to the.'
17. A pype of wyne he gaue them over the walles, For soth as I yow saye; Ther he mayd the Dowglasse drynke, And all hys ost that daye.
18. The Dowglas turnyd hym homewarde agayne, For soth withowghten naye; He toke his logeyng at Oterborne, Vpon a Wedynsday.
19. And ther he pyght hys standerd dowyn, Hys gettyng more and lesse, And syne he warned hys men to goo To chose ther geldynges gresse.
20. A Skottysshe knyght hoved vpon the bent, A wache I dare well saye; So was he ware on the noble Perssy In the dawnyng of the daye.
21. He prycked to hys pavyleon-dore, As faste as he myght ronne; 'Awaken, Dowglas,' cryed the knyght, 'For hys love that syttes in trone.
22. 'Awaken, Dowglas,' cryed the knyght, 'For thow maste waken wyth wynne; Yender haue I spyed the prowde Perssye, And seven stondardes wyth hym.'
23. 'Nay by my trowth,' the Dowglas sayed, 'It ys but a fayned taylle; He durst not loke on my brede banner For all Ynglonde so haylle.
24. 'Was I not yesterdaye at the Newe Castell, That stondes so fayre on Tyne? For all the men the Perssy had, He coude not garre me ones to dyne.'
25. He stepped owt at his pavelyon-dore, To loke and it were lesse: 'Araye yow, lordynges, one and all, For here begynnes no peysse.
26. 'The yerle of Mentaye, thow arte my eme, The fowarde I gyve to the: The yerlle of Huntlay, cawte and kene, He schall be wyth the.
27. 'The lorde of Bowghan, in armure bryght, On the other hand he schall be; Lord Jhonstoune and Lorde Maxwell, They to schall be with me.
28. 'Swynton, fayre fylde vpon your pryde! To batell make yow bowen Syr Davy Skotte, Syr Water Stewarde, Syr Jhon of Agurstone!'
29. The Perssy cam byfore hys oste, Wych was ever a gentyll knyght; Vpon the Dowglas lowde can he crye, 'I wyll holde that I haue hyght.
30. 'For thou haste brente Northomberlonde, And done me grete envye; For thys trespasse thou hast me done, The tone of vs schall dye.'
31. The Dowglas answerde hym agayne, Wyth grett wurdes vpon hye, And sayd, 'I have twenty agaynst thy one, Byholde, and thou maste see.'
32. Wyth that the Perssy was grevyd sore, For soth as I yow saye: He lyghted dowyn vpon his foote, And schoote hys horsse clene awaye.
33. Every man sawe that he dyd soo, That ryall was ever in rowght; Every man schoote hys horsse hym froo, And lyght hym rowynde abowght.
34. Thus Syr Hary Perssye toke the fylde, For soth as I yow saye; Jhesu Cryste in hevyn on hyght Dyd helpe hym well that daye.
35. But nyne thowzand, ther was no moo, The cronykle wyll not layne; Forty thowsande of Skottes and fowre That day fowght them agayne.
36. But when the batell byganne to joyne, In hast ther cam a knyght; The letters fayre furth hath he tayne, And thus he sayd full ryght:
37. 'My lorde your father he gretes yow well, Wyth many a noble knyght; He desyres yow to byde That he may see thys fyght.
38. 'The Baron of Grastoke ys com out of the west, With hym a noble companye; All they loge at your fathers thys nyght, And the batell fayne wolde they see.'
39. 'For Jhesus love,' sayd Syr Harye Perssy, 'That dyed for yow and me, Wende to my lorde my father agayne, And saye thow sawe me not wyth yee.
40. 'My trowth ys plyght to yonne Skottysh knyght, It nedes me not to layne, That I schalde byde hym upon thys bent, And I have hys trowth agayne.
41. 'And if that I weynde of thys growende, For soth, onfowghten awaye, He wolde me call but a kowarde knyght In hys londe another daye.
42. 'Yet had I lever to be rynde and rente, By Mary, that mykkel maye, Then ever my manhood schulde be reprovyd Wyth a Skotte another daye.
43. 'Wherefore schote, archars, for my sake, And let scharpe arowes flee: Mynstrell, playe up for your waryson, And well quyt it schall bee.
44. 'Every man thynke on hys trewe-love, And marke hym to the Trenite; For to God I make myne avowe Thys day wyll I not flee.'
45. The blodye harte in the Dowglas armes, Hys standerde stood on hye, That every man myght full well knowe; By syde stode starrës thre.
46. The whyte lyon on the Ynglyssh perte, For soth as I yow sayne, The lucettes and the cressawntes both; The Skottes faught them agayne.
47. Vpon Sent Androwe lowde can they crye, And thrysse they schowte on hyght, And syne merked them one owr Ynglysshe men, As I haue tolde yow ryght.
48. Sent George the bryght, owr ladyes knyght, To name they were full fayne: Owr Ynglyssh men they cryde on hyght, And thrysse the schowtte agayne.
49. Wyth that scharpe arowes bygan to flee, I tell yow in sertayne; Men of armes byganne to joyne, Many a dowghty man was ther slayne.
50. The Perssy and the Dowglas mette, That ether of other was fayne; They swapped together whyll that the swette, Wyth swordes of fyne collayne:
51. Tyll the bloode from ther bassonnettes ranne, As the roke doth in the rayne; 'Yelde the to me,' sayd the Dowglas, 'Or elles thow schalt be slayne.
52. 'For I see by thy bryght bassonet, Thow arte sum man of myght; And so I do by thy burnysshed brande; Thow arte an yerle, or elles a knyght.'
53. 'By my good faythe,' sayd the noble Perssye, 'Now haste thou rede full ryght; Yet wyll I never yelde me to the, Whyll I may stonde and fyght.'
54. They swapped together whyll that they swette, Wyth swordës scharpe and long; Ych on other so faste thee beette, Tyll ther helmes cam in peyses dowyn.
55. The Perssy was a man of strenghth, I tell yow, in thys stounde; He smote the Dowglas at the swordes length That he fell to the growynde.
56. The sworde was scharpe, and sore can byte, I tell yow in sertayne; To the harte he cowde hym smyte, Thus was the Dowglas slayne.
57. The stonderdes stode styll on eke a syde, Wyth many a grevous grone; Ther the fowght the day, and all the nyght, And many a dowghty man was slayne.
58. Ther was no freke that ther wolde flye, But styffely in stowre can stond, Ychone hewyng on other whyll they myght drye, Wyth many a bayllefull bronde.
59. Ther was slayne vpon the Skottës syde, For soth and sertenly, Syr James a Dowglas ther was slayne, That day that he cowde dye.
60. The yerlle of Mentaye he was slayne, Grysely groned upon the growynd; Syr Davy Skotte, Syr Water Stewarde, Syr Jhon of Agurstoune.
61. Syr Charllës Morrey in that place, That never a fote wold flee; Syr Hewe Maxwell, a lord he was, Wyth the Dowglas dyd he dye.
62. Ther was slayne upon the Skottës syde, For soth as I yow saye, Of fowre and forty thowsande Scottes Went but eyghtene awaye.
63. Ther was slayne upon the Ynglysshe syde, For soth and sertenlye, A gentell knyght, Syr Jhon Fechewe, Yt was the more pety.
64. Syr James Hardbotell ther was slayne, For hym ther hartes were sore; The gentyll Lovell ther was slayne, That the Perssys standerd bore.
65. Ther was slayne upon the Ynglyssh perte, For soth as I yow saye, Of nyne thowsand Ynglyssh men Fyve hondert cam awaye.
66. The other were slayne in the fylde; Cryste kepe ther sowlles from wo! Seyng ther was so fewe fryndes Agaynst so many a foo.
67. Then on the morne they mayde them beerys Of byrch and haysell graye; Many a wydowe, wyth wepyng teyres, Ther makes they fette awaye.
68. Thys fraye bygan at Otterborne, Bytwene the nyght and the day; Ther the Dowglas lost hys lyffe, And the Perssy was lede awaye.
69. Then was ther a Scottysh prisoner tayne, Syr Hewe Mongomery was hys name; For soth as I yow saye, He borowed the Perssy home agayne.
70. Now let us all for the Perssy praye To Jhesu most of myght, To bryng hys sowlle to the blysse of heven, For he was a gentyll knyght.
[Annotations: 1.3: 'bowynd,' hied. 2.4: 'raysse,' raid. 3.: 'Hoppertope,' Ottercap (now Ottercaps) Hill, in the parish of Kirk Whelpington, Tynedale Ward, Northumberland. 'Rodclyffe crage' (now Rothby Crags), a cliff near Rodeley, south-east of Ottercap. 'Grene Lynton,' a corruption of Green Leyton, south-east of Rodely.--Percy. 5.1: 'berne,' man. 8.1: Sir Henry Percy (Hotspur), killed at Shrewsbury fifteen years after Otterburn. 8.3: 'march-man,' borderer. Percy is said to have been appointed Governor of Berwick and Warden of the Marches in 1385. 12.4: 'The tone,' one or other. 14.1: 'I have harde say that Chivet Hills stretchethe XX miles. Theare is greate plente of Redde Dere, and Roo Bukkes.' --_Leland's Itinerary._ 15.3: 'the tyll' = thee till, to thee. 19.1: 'pyght,' fixed. 22.2: 'wynne,' pleasure. 24.4: _i.e._ he could not give me my fill (of defeat). 25.2: _i.e._ to see if it were false. 26.1: 'eme,' uncle. 26.3: 'cawte,' wary. 29.4: 'hyght,' promised. 32.4: 'schoote,' dismissed. 33.2: _i.e._ who was ever royal among the rout. 35.2: 'layne,' lie; so 40.2 41.1: _i.e._ if I wend off this ground. 42.1: _i.e._ I had rather be flayed. 43.3: 'waryson,' reward. 44.2: 'marke hym,' commit himself (by signing the cross). 50.4: 'collayne,' of Cologne steel. Cp. 'myllan,' _Hunting of the Cheviot_, 31.4 51.2: 'roke,' reek, vapour. 55.2: 'stounde,' moment of time, hour. 58.3: 'drye' = dree, endure. 60.2: 'grysely,' frightfully, grievously. 67.4: 'makes,' mates. 69.4: 'borowed,' ransomed, set free.]
+The Text+ is taken from _Wit Restor'd_, 1658, where it is called _A Northern Ballet_. From the same collection comes the version of _Little Musgrave and Lady Barnard_ given in First Series, p. 19. The version popularly known as _Johnny Armstrong's Last Good-Night_, so dear to Goldsmith, and sung by the Vicar of Wakefield, is a broadside found in most of the well-known collections.
Frank Sidgwick's third series of Popular Ballads of the Olden Time gathers Scottish border ballads where combat scenes are framed by ritualized farewells and incremental repetition. The editor's preface and notes (not included here) likely explain textual choices, but the ballads themselves reveal a consistent pattern: a hero arms himself, exchanges formal blessings or curses, and rides toward an encounter that often ends in death. The language is stark, with refrains that slow the action and emphasize the weight of each decision.
In 'The Twa Brothers' and 'The Battle of Otterburn,' the same structural elements recur—a brother's fatal wound, a messenger's ride, and a mother's lament. Sidgwick's arrangement highlights how these ballads use repetition not as filler but as a device to build suspense and underscore the inevitability of violence.
Repetition as a Structural Anchor
Across the series, incremental repetition governs both dialogue and narrative. In 'The Twa Brothers,' the dying brother's request for a burial token is echoed in the survivor's reply, each stanza adding a detail. The same technique appears in 'Sir Hugh in the Grime's Downfall,' where the hero's defiance is repeated with slight variations. This repetition does not merely ornament; it creates a rhythm that mimics oral performance, allowing listeners to anticipate and participate. Sidgwick's texts preserve these patterns, often marking stanzas with numbers that emphasize the iterative structure. The effect is a sense of ritual: each repeated line feels like a step toward an inescapable conclusion.
The Ritual of Arming and Departure
Several ballads open with a detailed arming scene. In 'Johnie Armstrong,' the hero 'put on his back a good plate-jack, / And on his head a cap of steel.' The same formula recurs in 'Dick o' the Cow' and 'Kinmont Willie.' These passages are not merely descriptive; they mark a transition from domestic life to the battlefield. The hero often exchanges farewells with a father or lover, and the blessing or curse that follows carries narrative weight. In 'The Twa Brothers,' the dying brother's curse on his slayer is a direct consequence of a broken promise. Sidgwick's selection emphasizes how these rituals—arming, blessing, departing—form a three-part structure that frames the central conflict.
Movement Between Domestic and Border Spaces
The ballads frequently shift between interior spaces (halls, chambers) and open landscapes (hills, rivers, borders). 'The Braes of Yarrow' moves from a lady's bower to the braes where her lover is killed. 'Mary Hamilton' begins in the queen's chamber and ends at the gallows. This movement is not random; it traces a trajectory from safety to danger, from community to isolation. Sidgwick's map (included as a frontispiece) reinforces this geography, naming rivers and towns that anchor the stories. The border itself becomes a character—a line that characters cross at their peril. In 'Kinmont Willie,' the rescue hinges on crossing the Tyne, and the ballad's energy comes from the tension between English and Scottish territories.
Dialogue as a Driver of Conflict
Many ballads in this series rely almost entirely on dialogue to advance the plot. 'The Twa Brothers' is a conversation between siblings; 'Sir Patrick Spence' unfolds through the king's command and the knight's reluctant reply. Sidgwick's texts preserve the call-and-response pattern, often with minimal narration. In 'The Battle of Otterburn,' the dialogue between Percy and Douglas carries the weight of the battle's outcome. This technique gives the ballads a dramatic, almost theatrical quality. The reader must infer action from speech, and the absence of descriptive passages forces attention on the characters' words. Sidgwick's editorial choices—including notes on dialect and archaic terms—help modern readers follow these exchanges without losing the oral flavor.
Sidgwick's third series rewards readers who attend to pattern: the repeated farewells, the ritual arming, the movement from hall to hill. These ballads were meant to be heard, and the editor's arrangement preserves their oral DNA. Approach them not as static texts but as scripts for performance, where each repetition builds toward a final, often fatal, encounter.
That old ballad collection stayed with me long after—those farewells where each repeated line tightens the chest. It reminded me of another quiet book, Poems — Themes and Context, which carries that same weight of unsaid things. I found myself thinking about loyalty differently, how it sometimes feels like holding your breath.
Joseph Clark
1 month agoOwen Roberts
1 month agoLiam Green
1 month agoGrace Green
4 weeks ago-
Sarah Martinez - 1 month ago
{'rating': 5, 'text': 'These ballads are a treasure trove of Scottish folklore and history. The stories are captivating, filled with romance, tragedy, and magic. The notes and explanations provided are helpful, adding depth to the understanding. This is a must-have for anyone interested in traditional songs and poems. I was completely immersed in the olden times.'} -
Travis Anderson - 3 weeks ago
{'rating': 2, 'text': 'I was expecting more from this collection. While the ballads are historically important, the presentation is dry and academic. The language is archaic and hard to follow, with limited annotations. The stories themselves are repetitive, and I found it hard to stay engaged. This is for serious folklore students rather than casual readers.'} -
Jason Autumn Black - 2 weeks ago
{'rating': 3, 'text': 'The collection of Scottish ballads is intriguing and offers a good look into traditional storytelling. Some ballads are brilliant, but others feel similar in structure and theme. The editing is decent, but the lack of a glossary for archaic terms could be a hurdle for some readers. Overall, a good read but not perfect.'}
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Liam Wilson
2 weeks ago